The Complete Works of William ShakespeareShakespeare, William
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The Complete Works of William Shakespeare
Shakespeare, William
English drama -- Early modern and Elizabethan, 1500-1600
CLEOPATRA.
O, Charmian,
Where think’st thou he is now? Stands he, or sits he?
Or does he walk? Or is he on his horse?
O happy horse, to bear the weight of Antony!
Do bravely, horse, for wot’st thou whom thou mov’st?
The demi-Atlas of this earth, the arm
And burgonet of men. He’s speaking now,
Or murmuring “Where’s my serpent of old Nile?”
For so he calls me. Now I feed myself
With most delicious poison. Think on me
That am with Phœbus’ amorous pinches black,
And wrinkled deep in time? Broad-fronted Caesar,
When thou wast here above the ground, I was
A morsel for a monarch. And great Pompey
Would stand and make his eyes grow in my brow;
There would he anchor his aspect, and die
With looking on his life.
Enter Alexas.
ALEXAS.
Sovereign of Egypt, hail!
CLEOPATRA.
How much unlike art thou Mark Antony!
Yet, coming from him, that great medicine hath
With his tinct gilded thee.
How goes it with my brave Mark Antony?
ALEXAS.
Last thing he did, dear queen,
He kissed—the last of many doubled kisses—
This orient pearl. His speech sticks in my heart.
CLEOPATRA.
Mine ear must pluck it thence.
ALEXAS.
“Good friend,” quoth he,
“Say, the firm Roman to great Egypt sends
This treasure of an oyster; at whose foot,
To mend the petty present, I will piece
Her opulent throne with kingdoms. All the east,
Say thou, shall call her mistress.” So he nodded
And soberly did mount an arm-gaunt steed,
Who neighed so high that what I would have spoke
Was beastly dumbed by him.
CLEOPATRA.
What, was he sad or merry?
ALEXAS.
Like to the time o’ th’ year between the extremes
Of hot and cold, he was nor sad nor merry.
CLEOPATRA.
O well-divided disposition!—Note him,
Note him, good Charmian, ’tis the man; but note him:
He was not sad, for he would shine on those
That make their looks by his; he was not merry,
Which seemed to tell them his remembrance lay
In Egypt with his joy; but between both.
O heavenly mingle!—Be’st thou sad or merry,
The violence of either thee becomes,
So does it no man else.—Met’st thou my posts?
ALEXAS.
Ay, madam, twenty several messengers.
Why do you send so thick?
CLEOPATRA.
Who’s born that day
When I forget to send to Antony
Shall die a beggar.—Ink and paper, Charmian.—
Welcome, my good Alexas.—Did I, Charmian,
Ever love Caesar so?
CHARMIAN.
O that brave Caesar!
CLEOPATRA.
Be choked with such another emphasis!
Say “the brave Antony.”
CHARMIAN.
The valiant Caesar!
CLEOPATRA.
By Isis, I will give thee bloody teeth
If thou with Caesar paragon again
My man of men.
CHARMIAN.
By your most gracious pardon,
I sing but after you.
CLEOPATRA.
My salad days,
When I was green in judgment, cold in blood,
To say as I said then. But come, away,
Get me ink and paper.
He shall have every day a several greeting,
Or I’ll unpeople Egypt.
[_Exeunt._]
ACT II
SCENE I. Messina. A Room in Pompey’s house.
Enter Pompey, Menecrates and Menas in warlike manner.
POMPEY.
If the great gods be just, they shall assist
The deeds of justest men.
Public-domain text, read in full here on John Shaqi.
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