The Complete Writings of Charles Dudley Warner — Volume 2Warner, Charles Dudley
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The Complete Writings of Charles Dudley Warner — Volume 2
Warner, Charles Dudley
Europe -- Description and travel
We sat
at the table till twelve o'clock; but you must not imagine that
everybody sat still all the time, or that, appearances to the
contrary notwithstanding, the principal object of the entertainment
was eating. The songs that were sung in Hungarian as well as German,
the poems that were recited, the burlesques of actors and acting, the
imitations that were inimitable, the take-off of table-tipping and of
prominent musicians, the wit and constant flow of fun, as constant as
the good-humor and free hospitality, the unconstrained ease of the
whole evening, these things made the real supper which one remembers
when the grosser meal has vanished, as all substantial things do
vanish.
CHRISTMAS TIME-MUSIC
For a month Munich has been preparing for Christmas. The shop
windows have had a holiday look all December. I see one every day in
which are displayed all the varieties of fruits, vegetables, and
confectionery possible to be desired for a feast, done in wax,--a
most dismal exhibition, and calculated to make the adjoining window,
which has a little fountain and some green plants waving amidst
enormous pendent sausages and pigs' heads and various disagreeable
hashes of pressed meat, positively enticing. And yet there are some
vegetables here that I should prefer to have in wax,--for instance,
sauerkraut. The toy windows are worthy of study, and next to them
the bakers'. A favorite toy of the season is a little crib, with the
Holy Child, in sugar or wax, lying in it in the most uncomfortable
attitude. Babies here are strapped upon pillows, or between pillows,
and so tied up and wound up that they cannot move a muscle, except,
perhaps, the tongue; and so, exactly like little mummies, they are
carried about the street by the nurses,--poor little things, packed
away so, even in the heat of summer, their little faces looking out
of the down in a most pitiful fashion. The popular toy is a
representation, in sugar or wax, of this period of life. Generally
the toy represents twins, so swathed and bound; and, not
infrequently, the bold conception of the artist carries the point of
the humor so far as to introduce triplets, thus sporting with the
most dreadful possibilities of life.
Public-domain text, read in full here on John Shaqi.
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