The Complete Writings of Charles Dudley Warner — Volume 2Warner, Charles Dudley
General
The Complete Writings of Charles Dudley Warner — Volume 2
Warner, Charles Dudley
Europe -- Description and travel
The procession having reached its destination, and disappeared behind
the altar of the dome, the pope dismounted, and took his seat on his
throne. The blessing of the palms began, the cardinals first
approaching, and afterwards the members of the diplomatic corps, the
archbishops and bishops, the heads of the religious orders, and such
private persons as have had permission to do so. I had previously
seen the palms carried in by servants in great baskets. It is,
perhaps, not necessary to say that they are not the poetical green
waving palms, but stiff sort of wands, woven out of dry, yellow,
split palm-leaves, sometimes four or five feet in length, braided
into the semblance of a crown on top,--a kind of rough basket-work.
The palms having been blessed, a procession was again formed down the
nave and out the door, all in it "carrying palms in their hands," the
yellow color of which added a new element of picturesqueness to the
splendid pageant. The pope was carried as before, and bore in his
hand a short braided palm, with gold woven in, flowers added, and the
monogram "I. H. S." worked in the top. It is the pope's custom to
give this away when the ceremony is over. Last year he presented it
to an American lady, whose devotion attracted him; this year I saw it
go away in a gilded coach in the hands of an ecclesiastic. The
procession disappeared through the great portal into the vestibule,
and the door closed. In a moment somebody knocked three times on the
door: it opened, and the procession returned, and moved again to the
rear of the altar, the singers marching with it and chanting. The
cardinals then changed their violet for scarlet robes; and high mass,
for an hour, was celebrated by a cardinal priest: and I was told that
it was the pope's voice that we heard, high and clear, singing the
passion. The choir made the responses, and performed at intervals.
The singing was not without a certain power; indeed, it was marvelous
how some of the voices really filled the vast spaces of the edifice,
and the choruses rolled in solemn waves of sound through the arches.
The singing, with the male sopranos, is not to my taste; but it
cannot be denied that it had a wild and strange effect.
Public-domain text, read in full here on John Shaqi.
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