The Complete Writings of Charles Dudley Warner — Volume 2Warner, Charles Dudley
General
The Complete Writings of Charles Dudley Warner — Volume 2
Warner, Charles Dudley
Europe -- Description and travel
In the morning when I awoke the sun was just rising behind Vesuvius;
and there was a mighty display of gold and crimson in that quarter,
as if the curtain was about to be lifted on a grand performance, say
a ballet at San Carlo, which is the only thing the Neapolitans think
worth looking at. Straight up in the air, out of the mountain, rose
a white pillar, spreading out at the top like a palm-tree, or, to
compare it to something I have seen, to the Italian pines, that come
so picturesquely into all these Naples pictures. If you will believe
me, that pillar of steam was like a column of fire, from the sun
shining on and through it, and perhaps from the reflection of the
background of crimson clouds and blue and gold sky, spread out there
and hung there in royal and extravagant profusion, to make a highway
and a regal gateway, through which I could just then see coming the
horses and the chariot of a southern perfect day. They said that the
tree-shaped cloud was the sign of an eruption; but the hotel-keepers
here are always predicting that. The eruption is usually about two
or three weeks distant; and the hotel proprietors get this
information from experienced guides, who observe the action of the
water in the wells; so that there can be no mistake about it.
We took carriages at nine o'clock to Resina, a drive of four miles,
and one of exceeding interest, if you wish to see Naples life. The
way is round the curving bay by the sea; but so continuously built up
is it, and so inclosed with high walls of villas, through the open
gates of which the golden oranges gleam, that you seem never to leave
the city. The streets and quays swarm with the most vociferous,
dirty, multitudinous life. It is a drive through Rag Fair. The
tall, whitey-yellow houses fronting the water, six, seven, eight
stories high, are full as beehives; people are at all the open
windows; garments hang from the balconies and from poles thrust out;
up every narrow, gloomy, ascending street are crowds of struggling
human shapes; and you see how like herrings in a box are packed the
over half a million people of Naples. In front of the houses are the
markets in the open air,--fish, vegetables, carts of oranges; in the
sun sit women spinning from distaffs or weaving fishing-nets; and
rows of children who were never washed and never clothed but once,
and whose garments have nearly wasted away; beggars, fishermen in red
caps, sailors, priests, donkeys, fruit-venders, street-musicians,
carriages, carts, two-wheeled break-down vehicles,--the whole tangled
in one wild roar and rush and babel,--a shifting, varied panorama of
color, rags,--a pandemonium such as the world cannot show elsewhere,
that is what one sees on the road to Resina. The drivers all drive
in the streets here as if they held a commission from the devil,
cracking their whips, shouting to their horses, and dashing into the
thickest tangle with entire recklessness. They have one cry, used
Public-domain text, read in full here on John Shaqi.
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