The Complete Writings of Charles Dudley Warner — Volume 2Warner, Charles Dudley
General
The Complete Writings of Charles Dudley Warner — Volume 2
Warner, Charles Dudley
Europe -- Description and travel
If I were an antiquarian, I think I should have had Tasso born at the
Villa Nardi, where I like best to stay, and where I find traces of
many pilgrims from other countries. Here, in a little corner room on
the terrace, Mrs. Stowe dreamed and wrote; and I expect, every
morning, as I take my morning sun here by the gate, Agnes of Sorrento
will come down the sweet-scented path with a basket of oranges on her
head.
SEA AND SHORE
It is not always easy, when one stands upon the highlands which
encircle the Piano di Sorrento, in some conditions of the atmosphere,
to tell where the sea ends and the sky begins. It seems.
practicable, at such times, for one to take ship and sail up into
heaven. I have often, indeed, seen white sails climbing up there,
and fishing-boats, at secure anchor I suppose, riding apparently like
balloons in the hazy air. Sea and air and land here are all kin, I
suspect, and have certain immaterial qualities in common. The
contours of the shores and the outlines of the hills are as graceful
as the mobile waves; and if there is anywhere ruggedness and
sharpness, the atmosphere throws a friendly veil over it, and tones
all that is inharmonious into the repose of beauty.
The atmosphere is really something more than a medium: it is a
drapery, woven, one could affirm, with colors, or dipped in oriental
dyes. One might account thus for the prismatic colors I have often
seen on the horizon at noon, when the sun was pouring down floods of
clear golden light. The simple light here, if one could ever
represent it by pen, pencil, or brush, would draw the world hither to
bathe in it. It is not thin sunshine, but a royal profusion, a
golden substance, a transforming quality, a vesture of splendor for
all these Mediterranean shores.
The most comprehensive idea of Sorrento and the great plain on which
it stands, imbedded almost out of sight in foliage, we obtained one
day from our boat, as we put out round the Capo di Sorrento, and
stood away for Capri. There was not wind enough for sails, but there
were chopping waves, and swell enough to toss us about, and to
produce bright flashes of light far out at sea. The red-shirted
rowers silently bent to their long sweeps; and I lay in the tossing
bow, and studied the high, receding shore. The picture is simple, a
precipice of rock or earth, faced with masonry in spots, almost of
uniform height from point to point of the little bay, except where a
deep gorge has split the rock, and comes to the sea, forming a cove,
where a cluster of rude buildings is likely to gather. Along the
precipice, which now juts and now recedes a little, are villas,
hotels, old convents, gardens, and groves. I can see steps and
galleries cut in the face of the cliff, and caves and caverns,
natural and artificial: for one can cut this tufa with a knife; and
it would hardly seem preposterous to attempt to dig out a cool, roomy
mansion in this rocky front with a spade.
Public-domain text, read in full here on John Shaqi.
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