The Complete Writings of Charles Dudley Warner — Volume 2Warner, Charles Dudley
General
The Complete Writings of Charles Dudley Warner — Volume 2
Warner, Charles Dudley
Europe -- Description and travel
Were these anything more than royal pleasure galleries, where one
could sit in coolness in the heat of summer and look on the bay and
its shipping, in the days when the great Roman fleet used to lie
opposite, above the point of Misenum? How many brave and gay
retinues have swept down these broad interior stairways, let us say
in the picturesque Middle Ages, to embark on voyages of pleasure or
warlike forays! The steps are well worn, and must have been trodden
for ages, by nobles and robbers, peasants and sailors, priests of
more than one religion, and traders of many seas, who have gone, and
left no record. The sun was slanting his last rays into the
corridors as I musingly looked down from one of the arched openings,
quite spellbound by the strangeness and dead silence of the place,
broken only by the plash of waves on the sandy beach below. I had
found my way down through a wooden door half ajar; and I thought of
the possibility of some one's shutting it for the night, and leaving
me a prisoner to await the spectres which I have no doubt throng here
when it grows dark. Hastening up out of these chambers of the past,
I escaped into the upper air, and walked rapidly home through the
narrow orange lanes.
ON TOP OF THE HOUSE
The tiptop of the Villa Nardi is a flat roof, with a wall about it
three feet high, and some little turreted affairs, that look very
much like chimneys. Joseph, the gray-haired servitor, has brought my
chair and table up here to-day, and here I am, established to write.
I am here above most earthly annoyances, and on a level with the
heavenly influences. It has always seemed to me that the higher one
gets, the easier it must be to write; and that, especially at a great
elevation, one could strike into lofty themes, and launch out,
without fear of shipwreck on any of the earthly headlands, in his
aerial voyages. Yet, after all, he would be likely to arrive
nowhere, I suspect; or, to change the figure, to find that, in
parting with the taste of the earth, he had produced a flavorless
composition. If it were not for the haze in the horizon to-day, I
could distinguish the very house in Naples--that of Manso, Marquis of
Villa,--where Tasso found a home, and where John Milton was
entertained at a later day by that hospitable nobleman. I wonder, if
he had come to the Villa Nardi and written on the roof, if the
theological features of his epic would have been softened, and if he
would not have received new suggestions for the adornment of the
garden. Of course, it is well that his immortal production was not
composed on this roof, and in sight of these seductive shores, or it
would have been more strongly flavored with classic mythology than it
is. But, letting Milton go, it may be necessary to say that my
writing to-day has nothing to do with my theory of composition in an
elevated position; for this is the laziest place that I have yet
found.
Public-domain text, read in full here on John Shaqi.
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