The static immobility and complete "unchangeableness" which the possessive instinct pretends to itself is all it desires is really therefore nothing but a mask for its desire to destroy. The possessive instinct is, in its profoundest abyss, an amorist of death. What it secretly loves is the dead; for the dead alone can never defraud it of its satisfaction. Wherever love exercises its creative energy the possessive instinct relaxes its hold. Love expands and diffuses itself. Love projects itself and merges itself The creative impulse is always centrifugal. The indrawing movement, the centripetal movement, is a sign of the presence of that inert malice which would reduce all life to nothingness. The creative energy of love issues inevitably in the idea of communism. The idea of communism implies the complete abolition of private property; because private property, whether it be property in persons or in things, is essentially evil, is indeed the natural expression of the primordial inert malice, in its hostility to life. Under any realization, in actual existence, of the idea of communism the creative energy finds itself free to expand and dilate. All that heavy clogging burden of "the personally possessed" being shaken off, the natural fresh shoots of living beauty rise to the surface like the new green growths of spring when the winter's rubble has been washed away by the rain. The accursed system of private property, rooted in the abysmal malice of the human heart, lies like a dead weight upon every creative impulse. Everything is weighed and judged, everything is valued and measured, in relation to this. Modern Law is the system of restriction by which we protect private property. Modern religion is the system of compensation by which we soften the difference between inequalities in private property. Modern politics is the system of compromise by which public opinion registers its devotion to private property. Modern morality is the system of artificial inhibitions by which the human conscience is perverted into regarding private property as the supreme good. Modern science is the system by which private property is increased and the uses of it made more complicated. Modern "truth" is the system of traditional opinion by which the illusion of private property is established as "responsible" thinking, and "serious" thinking, and "ethical" thinking. Modern art is the system by which what is most gross and vulgar in the popular taste is pandered to in the interests of private property. The creative energy in modern life is therefore restricted and opposed at almost every point by the evil instinct to possess. Of every new idea the question is asked, "does it conflict with private property?" Of every new aesthetic judgment the question is asked, "does it conflict with private property?"