The condition of EnglandMasterman, Charles F. G. (Charles Frederick Gurney)
History
The condition of England
Masterman, Charles F. G. (Charles Frederick Gurney)
Great Britain -- Economic conditions; Great Britain -- Social conditions
A few years ago I selected for criticism and for praise certain
contemporary writers who were refusing to take “opium.”[21] These set
themselves definitely in the heart of present affairs to endeavour to
understand and to interpret the meaning of their day and generation.
In almost every case the progress of things since that estimate has
taken them into darker and more ominous outlook upon the future of the
modern world. To Mr. Wells it is all a “spectacle of forces running to
waste, of people who use and do not replace; the story of a country
hectic with a wasting, aimless fever of trade and money-making and
pleasure-seeking.” The hero of his greatest novel reveals an experience
fragmentary and disconnected in a tumultuous world. Mr. Wells can
show that world in its rockings and upheavals, until beneath the
seeming calm and conventionality of the surface view, is heard the
very sound of the fractures and fallings; an age in the headlong
rush of change. George Ponderevo is at one time floating immense
financial companies, a king of speculation, courted by the great, one
of England’s “Conquerors.” At another he is quarrelling and forgiving
and quarrelling again with a little commonplace uncomprehending
wife down in a commonplace villa at Ealing. He is learning to fly,
absorbed in the work of scientific invention--the one real thing of
solid resistance in a universe of slush and mud and make-believe.
He is engaged in random, fantastic sociabilities at Beckenham or
Chislehurst, discussing, under the conflagrations of sun and star, the
respective merits, as domestic pets, of cat or dog. He is plunging,
in disconnected adventure, into a piratical raid into West Africa
after “quap,” a poisonous radio-active product of enormous value; and
again, emerging from that terrific battle with unclean and tenacious
forces, he is balancing toast on a tea-cup in a London drawing-room.
He tumbles into love, driven forward by blind, tyrannous forces which
overthrow reason and conventional restraint, against which he has never
been warned, in whose service he can find no meaning. And in problems
of sex which appear simple to the orthodox upholders of the existing
moral standards, and simple, again, to the orthodox revolters from
the existing moral standards, he can find nothing but perplexity and
confusion--no certain guidance at all.
Public-domain text, read in full here on John Shaqi.
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