The condition of EnglandMasterman, Charles F. G. (Charles Frederick Gurney)
History
The condition of England
Masterman, Charles F. G. (Charles Frederick Gurney)
Great Britain -- Economic conditions; Great Britain -- Social conditions
the finely-shaped head, the little imperial under the lip, the glasses,
the slightly lisping, insinuating voice”; with a following of “Webbites
to caricature Webb” with excessive bureaucratic notions, and a belief
that everything can be done without any one wishing to do it; the
disciple “who dreams of the most foxy and wonderful digging by means
of box-lids, table-spoons, dish-covers--anything but spades designed
and made for the jobs in hand--just as he dreams of an extensive
expropriation of landlords by a Legislature that includes the present
unreformed House of Lords.”[7]
In face of such realities as these--the few with their enthusiasm for
a new gospel or with ingenious devices for effecting the millennium by
back-door entrances, the many with their occasional gusts of interest,
their normal lassitude and contempt for those who disprove God or
attack Society--the observer is often discouraged in the work of
reform. “Socialists,” says one of their most brilliant younger writers,
“cannot look with full confidence upon the English electorate. It is
hardly disputable that millions of electors in the greater cities have
reached a point of personal decadence--physical, mental, and moral--to
which no continental country furnishes a parallel on any comparable
scale. Time is steadily multiplying these millions; and for English
Socialism there is therefore a race against Time which it is very
likely not to win.”[8] Mr. Ensor’s testimony is in part endorsed by the
very remarkable evidence of various popular elections; that “Socialism”
amongst the working peoples propagates and triumphs in times of plenty,
withers up and vanishes in times of depression. This is exactly the
reverse of the accepted belief, which thought that the poor are stung
into Socialism by suffering, as poets are stung into poetry by wrong.
Public-domain text, read in full here on John Shaqi.
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