The Confession of a Child of the CenturyMusset, Alfred de
General
The Confession of a Child of the Century
Musset, Alfred de
French fiction; Historical fiction
When the waltz was over I threw myself on a chair; my heart beat wildly.
"O, Heaven!" I murmured, "how can it be possible! O, superb monster! O,
beautiful reptile! How you writhe, how you coil in and out, sweet adder,
with supple and spotted skin! Thy cousin the serpent has taught thee to
coil about the tree of life, holding between thy lips the apple of
temptation. O, Melusina! Melusina! The hearts of men are thine. You know
it well, enchantress, with your soft languor that seems to suspect
nothing! You know very well that you ruin, that you destroy, you know
that he who touches you will suffer; you know that he dies who basks in
your smile, who breathes the perfume of your flowers and comes under the
magic influence of your charms; that is why you abandon yourself so
freely, that is why your smile is so sweet, your flowers so fresh; that
is why you so gently place your arms on our shoulders. O, Heaven! what is
your will with us?"
Professor Halle has said a terrible thing: "Woman is the nervous part of
humanity, man the muscular." Humboldt himself, that serious thinker, has
said that an invisible atmosphere surrounds the human nerves. I do not
quote the dreamers who watch the flight of Spallanzani's bat, and who
think they have found a sixth sense in nature. Such as nature is, her
mysteries are terrible enough, her powers mighty enough, that nature
which creates us, mocks at us, and kills us, without deepening the
shadows that surround us. But where is the man who has lived who will
deny woman's power over us, if he has ever taken leave of a beautiful
dancer with trembling hands. If he has ever felt that indefinable
enervating magnetism which, in the midst of the dance, under the
influence of the sound of music, and the warmth that makes all else seem
cold, that comes from a young woman, that electrifies her and leaps from
her to him as the perfume of aloes from the swinging censer? I was struck
with stupor. I was familiar with a certain sensation similar to
drunkenness, which characterizes love; I knew that it was the aureole
which crowned the well-beloved. But that she should excite such
heart-throbs, that she should evoke such fantoms with nothing but her
beauty, her flowers, her motley costume, and a certain trick of turning
she had learned from some merry-andrew; and that without a word, without
a thought, without even appearing to know it! What was chaos if it
required seven days to transform it?
Public-domain text, read in full here on John Shaqi.
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