The Confession of a Child of the CenturyMusset, Alfred de
General
The Confession of a Child of the Century
Musset, Alfred de
French fiction; Historical fiction
I waited a moment, in order to conceal my astonishment. I then entered
the house and asked permission to remain until the storm should pass. I
could not imagine what she was doing at such an hour in this deserted
spot; suddenly, I heard a plaintive voice from the bed, and turning my
head, I saw the farmer's wife lying there with the mark of death on her
face.
Madame Pierson, who had followed me, sat down before the old man who was
bowed down with sorrow; she made me a sign to make no noise as the sick
woman was sleeping. I took a chair and sat in a corner until the storm
passed.
While I sat there, I saw her rise from time to time and whisper something
to the farmer. One of the children, whom I took upon my knee, said that
she came every night since the mother's illness. She performed the duties
of a sister of charity--there was no one else in the country who could do
it; there was but one physician, and he was very inferior.
"That is Brigitte la Rose," said the child; "do you not know her?"
"No," I replied in a low voice. "Why do you call her by such a name?"
He replied that he did not know, unless it was because she had been rosy
and the name had clung to her.
As Madame Pierson had laid aside her veil, I could see her face; when the
child left me I raised my head. She was standing near the bed, holding in
her hand a cup which she was offering the sick woman, who had awakened.
She appeared to be pale and thin; her hair was ashen blond. Her beauty
was not of the regular type. How shall I express it? Her large, dark eyes
were fixed on those of her patient, and those eyes, that shone with
approaching death, returned her gaze. There was, in that simple exchange
of kindness and gratitude, a beauty that can not be described.
The rain was falling in torrents; a heavy darkness settled over the
lonely mountain-side, pierced by occasional flashes of lightning. The
noise of the storm, the roaring of the wind, the wrath of the unchained
elements, made a deep contrast with the religious calm which prevailed in
the little cottage. I looked at the wretched bed, at the broken windows,
the puffs of smoke forced from the fire by the tempest, I observed the
helpless despair of the farmer, the superstitious terror of the children,
the fury of the elements besieging the bed of death; and when, in the
midst of all that, I saw that gentle, pale-faced woman, going and coming,
bravely meeting the duties of the moment regardless of the tempest, and
of our presence, it seemed to me there was in that calm performance
something more serene than the most cloudless sky, and that there was
something superhuman about this woman who, surrounded by such horrors,
did not for an instant, lose her faith in God.
Public-domain text, read in full here on John Shaqi.
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