The Confession of a Child of the Century — CompleteMusset, Alfred de
General
The Confession of a Child of the Century — Complete
Musset, Alfred de
France -- Fiction; French fiction -- Translations into English; Historical fiction
I ask what would be expected of a poor sewing-girl, young and pretty,
about eighteen, with a romantic affair on her hands that is purely a
question of love; with little knowledge of life and no idea of morals;
eternally sewing near a window before which processions were not allowed
to pass by order of the police, but near which a dozen young women
prowled who were licensed and recognized by these same police; what
could you expect of her, when after wearying her hands and eyes all day
long on a dress or a hat, she leans out of that window as night falls?
That dress she has sewed, that hat she has trimmed with her poor and
honest hands in order to earn a supper for the household, she sees
passing along the street on the head or on the body of a notorious
woman. Thirty times a day a hired carriage stops before the door, and
there steps out a dissolute character, numbered as is the hack in which
she rides, who stands before a glass and primps, taking off and putting
on the results of many days’ work on the part of the poor girl who
watches her. She sees that woman draw from her pocket gold in plenty,
she who has but one louis a week; she looks at her feet and her head,
she examines her dress and eyes her as she steps into her carriage; and
then, what can you expect? When night has fallen, after a day when work
has been scarce, when her mother is sick, she opens her door, stretches
out her hand and stops a passerby.
Such is the story of a girl I once knew. She could play the piano, knew
something of accounts, a little designing, even a little history and
grammar, and thus a little of everything. How many times have I regarded
with poignant compassion that sad work of nature, mutilated by society!
How many times have I followed in the darkness the pale and vacillating
gleams of a spark flickering in abortive life! How many times have I
tried to revive the fire that smouldered under those ashes! Alas! her
long hair was the color of ashes, and we called her Cendrillon.
I was not rich enough to help her; Desgenais, at my request, interested
himself in the poor creature; he made her learn over again all of which
she had a slight knowledge. But she could make no appreciable progress.
When her teacher left her she would fold her arms and for hours look
silently across the public square. What days! What misery! One day
I threatened that if she did not work she should have no money; she
silently resumed her task, and I learned that she stole out of the house
a few minutes later. Where did she go? God knows. Before she left I
asked her to embroider a purse for me. I still have that sad relic, it
hangs in my room, a monument of the ruin that is wrought here below.
But here is another case:
It was about ten in the evening when, after a riotous day, we
repaired to Desgenais’s, who had left us some hours before to make
his preparations. The orchestra was ready and the room filled when we
arrived.
Most of the dancers were girls from the theatres.
Public-domain text, read in full here on John Shaqi.
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