The Confession of a Child of the Century — CompleteMusset, Alfred de
General
The Confession of a Child of the Century — Complete
Musset, Alfred de
France -- Fiction; French fiction -- Translations into English; Historical fiction
As soon as we entered I plunged into the giddy whirl of the waltz. That
delightful exercise has always been dear to me; I know of nothing more
beautiful, more worthy of a beautiful woman and a young man; all dances
compared with the waltz are but insipid conventions or pretexts for
insignificant converse. It is truly to possess a woman, in a certain
sense, to hold her for a half hour in your arms, and to draw her on in
the dance, palpitating in spite of herself, in such a way that it can
not be positively asserted whether she is being protected or
seduced. Some deliver themselves up to the pleasure with such modest
voluptuousness, with such sweet and pure abandon, that one does not know
whether he experiences desire or fear, and whether, if pressed to the
heart, they would faint or break in pieces like the rose. Germany, where
that dance was invented, is surely the land of love.
I held in my arms a superb danseuse from an Italian theatre who had come
to Paris for the carnival; she wore the costume of a Bacchante with a
robe of panther’s skin. Never have I seen anything so languishing as
that creature. She was tall and slender, and while dancing with extreme
rapidity, had the appearance of allowing herself to be led; to see her
one would think that she would tire her partner, but such was not the
case, for she moved as if by enchantment.
On her bosom rested an enormous bouquet, the perfume of which
intoxicated me. She yielded to my encircling arms as would an Indian
vine, with a gentleness so sweet and so sympathetic that I seemed
enveloped with a perfumed veil of silk. At each turn there could be
heard a light tinkling from her metal girdle; she moved so gracefully
that I thought I beheld a beautiful star, and her smile was that of a
fairy about to vanish from human sight. The tender and voluptuous music
of the dance seemed to come from her lips, while her head, covered with
a wilderness of black tresses, bent backward as if her neck was too
slender to support its weight.
When the waltz was over I threw myself on a chair; my heart beat wildly:
“Oh, heaven!” I murmured, “how can it be possible? Oh, superb monster!
Oh! beautiful reptile! How you writhe, how you coil in and out, sweet
adder, with supple and spotted skin! Thy cousin the serpent has taught
thee to coil about the tree of life holding between thy lips the apple
of temptation. Oh! Melusina! Melusina! The hearts of men are thine. You
know it well, enchantress, with your soft languor that seems to suspect
nothing! You know very well that you ruin, that you destroy; you know
that he who touches you will suffer; you know that he dies who basks in
your smile, who breathes the perfume of your flowers and comes under
the magic influence of your charms; that is why you abandon yourself so
freely, that is why your smile is so sweet, your flowers so fresh; that
is why you place your arms so gently on our shoulders. Oh, heaven! what
is your will with us?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account