The Confession of a Child of the Century — CompleteMusset, Alfred de
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The Confession of a Child of the Century — Complete
Musset, Alfred de
France -- Fiction; French fiction -- Translations into English; Historical fiction
“You are very prompt,” he said, “Marco is no ordinary woman. She was
almost the wife of M. de------, ambassador to Milan. One of his friends
brought her here. Yet,” he added, “you may rest assured I shall speak to
her. We shall not allow you to die so long as there is any hope for you
or any resource left untried. It is possible that she will remain to
supper.”
He left me, and I was alarmed to see him approach her. But they were
soon lost in the crowd.
“Is it possible,” I murmured; “have I come to this? Oh! heavens! is
this what I am going to love? But after all,” I thought, “my senses have
spoken, but not my heart.”
Thus I tried to calm myself. A few minutes later Desgenais tapped me on
the shoulder.
“We shall go to supper at once,” said he. “You will give your arm to
Marco.”
“Listen,” I said; “I hardly know what I am experiencing. It seems to me
I see limping Vulcan covering Venus with kisses while his beard smokes
with the fumes of the forge. He fixes his staring eyes on the dazzling
skin of his prey. His happiness in the possession of his prize makes him
laugh for joy, and at the same time shudder with happiness, and then he
remembers his father, Jupiter, seated on high among the gods.”
Desgenais looked at me but made no reply; taking me by the arm he led me
away.
“I am tired,” he said, “and I am sad; this noise wearies me. Let us go
to supper, that will refresh us.”
The supper was splendid, but I could not touch it.
“What is the matter with you?” asked Marco.
I sat like a statue, making no reply and looking at her from head to
foot with amazement.
She began to laugh, and Desgenais, who could see us from his table,
joined her. Before her was a large crystal glass cut in the shape of a
chalice, which reflected the glittering lights on its thousand sparkling
facets, shining like the prism and revealing the seven colors of the
rainbow. She listlessly extended her arm and filled it to the brim with
Cyprian and a sweetened Oriental wine which I afterward found so bitter
on the deserted Lido.
“Here,” she said, presenting it to me, “per voi, bambino mio.”
“For you and for me,” I said, presenting her my glass in turn.
She moistened her lips while I emptied my glass, unable to conceal the
sadness she seemed to read in my eyes.
“Is it not good?” she asked.
“No,” I replied.
“Perhaps your head aches?”
“No.”
“Or you are tired?”
“No.”
“Ah! then it is the ennui of love?”
With these words she became serious, for in spite of herself, in
speaking of love, her Italian heart beat the faster.
Public-domain text, read in full here on John Shaqi.
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