The Confessions of a BeachcomberBanfield, E. J. (Edmund James)
History
The Confessions of a Beachcomber
Banfield, E. J. (Edmund James)
Dunk Island (Qld.); Natural history -- Australia -- Queensland
Then, dallying with tomahawks and flat stones with the tough nuts of the
"Moo-jee" (TERMINALIA MELANOCARPA), and the drupes of the "Can-kee"
(PANDANUS AQUATICUS) to extract the narrow sweet kernels, and sipping the
while cordial compounded of the larvae of green tree-ants ("book-gruin"),
acidulous and nippy, the men might indulge in after-dinner stories
and reminiscences, as the gins and piccaninnies drink heartily of water
sweetened with sugar-bag (honey-comb), and chew the seeds contained in
the china-blue pericarp of the native ginger--"Ool-pun" (ALPINIA CAERULA).
Many vegetable foods would still be unenumerated, and there would be
numerous shell-fish--periwinkles, cockles, mussels, scallops, dolphins,
besides crabs. On rare occasions a scrub fowl (the blacks had no
reliable means of capturing that wary bird, and when fortune favoured,
it was an instance of bad luck on its part), with pigeons, carpet
snakes, and sea-birds' eggs might make high tea.
BLACK ART
Time, and diligent search revealed the location on the island of two art
galleries, or rather independent studios, where there are exhibited
works of distinct character. Tradition points to the existence of a
third, the discovery of which gives zest to each exploratory expedition.
Possibly it may also display original exploits in the realms of fancy,
and so confirm the opinion that the black artists were not mere copyists
of each other, but belonged to different schools, each having his own
method and allowing his talent free and untrammelled development.
What may be designated the Lower Studio is on the eastern slope, and is
only to be approached from the sea in calm weather, the alternative
route being a tiresome climb, a long and tormenting struggle through
the jungle, and a descent among a confusion of rocks and boulders. It is
situated about a couple of hundred feet above sea-level, quite hidden in
the leafy wilderness which covers that aspect of the island from
high-water mark to the summit of the ridge. Unless the spot was
indicated, one might search for it for years in vain, and though I had
made frequent inquiries, its existence was made known only by chance,
its importance being considered insignificant compared with the other
studio, the glories of which had frequently been descanted upon. Taking
the sea-route, there is a natural harbour available, just capacious
enough for a small dingy, and up above the rocks, swept bare by the
surges, a dense and tangled scrub "whereto the climber upwards turns
his face," and taking advantage of such aids as aerial roots, slim
saplings, and the reed-like growths of the so called native ginger,
begins the steep ascent. Where the rock does not emerge from the
surface, the black soil is loose and kept in perpetual cultivation by
scrub fowl, the wonder being that earth reposes at such an angle. But
for interlacing and matted roots all must slide down to the sea.
Public-domain text, read in full here on John Shaqi.
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