The Confessions of a BeachcomberBanfield, E. J. (Edmund James)
History
The Confessions of a Beachcomber
Banfield, E. J. (Edmund James)
Dunk Island (Qld.); Natural history -- Australia -- Queensland
Braving all the honest traditions, one fine day I took a lantern in the
boat and induced the boys to row to the entrance of the cave. Neither
would venture in; indeed, they did all they could to dissuade me,
protesting that evil was sure to befall. A minute's exploration showed
that the cave did not extend 30 feet, and that it was dry, and resonant
with "the whispering sound of the cool colonnade," with no suggestion
of unwholesomeness or weirdness. But the blacks still pass it by. The
legend is as indestructible as the odour of attar of roses. Although the
boys persist in their account of the origin of the cave, it is known to
them as "Coo-bee co-tan-you," which signifies "that hole made by the
meteor," or, literally, "falling-star hole."
Romance, too, follows the Hinchinbrook pinnacle. Some local blacks
regard it with awe, believing that it covers a deep hole in the mountain
in which the winds and rain are pent up. When a malignant "debil-debil"
lifts the peak away the elements escape, roaring and hissing with
anger and mischief. When tired, they retire sulkily to the hole, which
the "debil-debil" blocks with the monstrous rock. Fine weather then
prevails, and the rock, which has been hidden away among the mists by
the fiend, becomes visible once more.
A SOULFUL DANCE
Of the many corrobborees that I have witnessed, the most novel in
conception was performed on Dunk Island by blacks who came from the
neighbourhood of Princess Charlotte Bay, some 200 miles to the north.
The imitation of the frolicsome skip and wing movements of the native
companion is one of the typical dances of the aboriginals frequenting
open plains where the great birds assemble. In its performance the
men--decorated with streaks and daubs of white and pink clay, and
wearing in their hair down and feathers--form a circle, and bowing their
bodies towards the centre, chuckle in undertones to the pianissimo
tapping of boomerangs and the beating of resonant logs. In strict time,
to a crescendo accompaniment, the performers throw out their arms,
extend their necks downward and upward, simultaneously utter squawks in
imitation of the bird, and finally whirl about, flapping their arms,
ceasing instantly by a common impulse. The ballet is modelled in
accordance with a study of Nature.
The corrobboree of the Princess Charlotte Bay boys also owes its origin
to Nature, but Nature in one of her most unpoetical moods--a mood as
typical of Constantinople as of their native shores, for its motive is
nothing more than an everyday dogfight.
Shall the uncultured blacks not have their own way when they seek
entertainment, holding "as it were the mirror up to Nature," and finding
that it reflects the commonest of all themes? They among all the nations
of the world alone have discovered what to them is music and the poetry
of motion in an occurrence that has no geographical limitations, is not
restricted by language, nor to be withered by age.
Public-domain text, read in full here on John Shaqi.
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