I was much surprised by this curious criticism on portrait painting. Surely, if the portrait of the great orator is to be painted in four hours and a half, the same limitation, if carried out, would confine the greatest speech ever made to a period of four-and-a-half seconds! Someone pointedly asked Mr. Gladstone whether he liked Millais' portraits. "Well," he replied, evading any brutal directness of reply, "I have been very much interested with his energy; he is the hardest-working man I ever saw." "Do you prefer his result to Holl's?" "Ah, Holl took double the time, and put me in such a very strained position, nearly on tiptoe. I know my heels were off the ground; it tired me out, and I was really obliged to lie down and sleep afterwards." "You found Millais charming in conversation?" "He never spoke when at work; his interest in his work fascinated me." "Mr. Watts?" "Ah, there is a delightful conversationalist, and a wonderful artist; he has attempted my portrait often--three attempts of late years--but he has not satisfied himself, and I am bound to say that my friends are of the same mind." "I well remember," remarked Lord Granville, who was one of the party, "how uneasy poor Holl was before he painted your portrait. He came to me and said, 'I think if you would speak to Mr. Gladstone on some subject that would interest him, I would watch him, and that would aid me very much.'" In this picture of Mr. Gladstone the late Frank Holl failed to maintain his reputation as an artist of the highest class: that picture of the great Liberal leader was disappointing and altogether unworthy of his name. This was the more unfortunate because, by the exercise of a little forethought, the artist might easily have avoided that pitfall of portrait-painters, an awkward, constrained, and unaccustomed attitude, which Mr. Gladstone confessed was torturing him, and by a very simple expedient have succeeded in placing Mr. Gladstone in the position which everyone who has seen him in the act of delivering a speech in the House of Commons would have recognised at once as a true and characteristic pose. Here I have mentioned Mr. Gladstone himself, saying how uncomfortable he felt upon the occasion of Mr. Holl's visit to his house for the purpose of obtaining a sitting; but I should add that the genial artist who was to do the work informed me that he also was no less ill at ease. When Mr. Gladstone enquired how he should sit for the portrait, Mr. Holl, anxious no doubt to secure a natural pose, replied, "Oh, just as you like!" This appeared to disconcert the great statesman somewhat, and he appeared to be ruminating as to what sedentary attitude was really his favourite one, when Holl came to the rescue. [Illustration: CARICATURE OF THE HOLL PORTRAIT.]