The Confessions of a Caricaturist, Vol. 1Furniss, Harry
General
The Confessions of a Caricaturist, Vol. 1
Furniss, Harry
Cartoonists -- Great Britain -- Biography; Furniss, Harry, 1854-1925
At this moment, when the Irish Party might have been likened to
machinery deprived of its principal wheel, it was curious to notice how
energetic Mr. Parnell became. He tried to cover his position by being
unusually active in Parliament; he followed the Chief Secretary for
Ireland in the debates upon the Land Purchase Bill, to the obvious
discomfort of Mr. Morley, and rather delighted the young Conservatives
by twitting the faction which had thrown him over. His speeches,
however, were laboured, and, as one of the Irish Members remarked to me
in the Lobby, it had a curious effect on them to see Mr. Parnell sit
down after making an important speech without hearing a single cheer.
And whereas for years he had addressed the House with the greatest
calmness, his chief characteristic being his "reserve force," he now
changed all this, and one Friday night caused quite a sensation in the
House in his attack upon Mr. Gladstone, not so much by what he said as
by the manner in which he said it. His excitement was visible to all,
and he was observed to be positively convulsed with anger. He also
remained, contrary to his previous custom, late in the House.
The last occasion on which I saw Charles Stewart Parnell was a few
months before his death. I was in Dublin during the Horse Show week,
giving my "Humours of Parliament" to crowded houses in the "Ancient
Concert Rooms," and my ancient hotel rooms were at Morrison's
Hotel--"Parnell's Hotel," for the "uncrowned king" (at that time
deposed) always stopped there--in fact it was said he had an interest in
the property. It was late on Sunday afternoon. I was writing in my
sitting-room on the first floor, next to Parnell's room, when the
strains of national music of approaching bands smote my ear, and soon
the hotel was surrounded by a cheering, shouting crowd. Banners were
flying, bands were playing, thousands of voices were shouting. Standing
in a brake haranguing the surging mass of people was the familiar figure
of Charles Stewart Parnell. With difficulty he descended from the brake,
and had literally to fight his way into the hotel, while his worshippers
clung on to him into the building, till they were seized and ejected by
the servants. I went out of my door to see the scene, and in the passage
outside, between Parnell's sitting-room and mine, he sat apparently
exhausted. His flesh seemed transparent--I could fancy I saw the
pattern of the wall-paper through his pallid cheeks. The next moment,
before I was aware, another figure sat on the same seat, arms were
thrown round my neck. It was my old Irish nurse, who had come up from
Wexford to see me, and had been lying in wait for me.
[Illustration: OUTSIDE MY ROOM.]
Public-domain text, read in full here on John Shaqi.
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