The Confessions of a Caricaturist, Vol. 1Furniss, Harry
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The Confessions of a Caricaturist, Vol. 1
Furniss, Harry
Cartoonists -- Great Britain -- Biography; Furniss, Harry, 1854-1925
Scene followed scene, and
scandal scandal for weeks, months, years.
[Illustration: CHARLES BRADLAUGH.]
To appreciate Mr. John Bright fully, one must have heard him. Really to
comprehend his power and greatness, one must have heard him at his best.
Yet the greatness of his oratory lay not so much in what he said as in
the beautiful way he said it.
Previous to my having the opportunity of listening to the debates, Mr.
Bright had reached that stage a singer reaches who has to all intents
retired from the stage, and merely makes an appearance for someone's
benefit now and then. In the first two or three years which I recall in
these pages Mr. Bright was making his last appearance in grand political
opera. He was in the Government, but although he assured the House that
"he was not going to turn his back upon himself"--an assertion of his
powers as a contortionist I endeavoured to depict in _Punch_ the
following week--Mr. Bright had practically turned his back upon making
great oratorical displays. The Bradlaugh scandal was in 1881 the subject
of the hour, and it was whilst appearing for Mr. Bradlaugh's benefit, on
the occasion of one of the numerous matinees arranged by the elected for
Northampton, that Mr. Bright used the words. But on no occasion in my
memory did he rise in a full-dress debate to make one of those grand
efforts with which his name will ever be remembered as the great orator.
Statesmanship was not so much to him as speechifying. He was not a
diplomatist such as Beaconsfield, a tactician like Mr. Gladstone, a
fearless, dashing debater like Lord Derby the elder, "The Rupert of
Debate"; nor had he the weight of Lord Salisbury, nor the aestheticism of
Mr. Balfour. But as a mere voice in the political opera he had a charm
above them all. In appearance he was commonplace compared with these
others I have mentioned. Often the most indifferent-looking horse in the
stable or in the paddock is the best in action. You would not give L40
for some standing at ease; but in action, moving to perfection, with
fire and speed and staying power, the price is more like L20,000. Mr.
Bright never got into his stride at any time or in any event while he
came under my observation.
[Illustration: THE MEET AT ST. STEPHEN'S.]
These equine remarks about a great politician bring to mind a protest I
received about a drawing of mine, which appeared a year or two ago,
representing Mr. Gladstone as a Grand Old Horse, hearing the horn at the
meet, cantering towards his companions in so many runs in which he had
taken the lead, and for which his day had gone. The protest came from a
Quaker, horrified at my depicting Mr. Gladstone as a gee-gee! as if he
had not been so depicted often enough before.
Public-domain text, read in full here on John Shaqi.
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