The Confessions of a Caricaturist, Vol. 1Furniss, Harry
General
The Confessions of a Caricaturist, Vol. 1
Furniss, Harry
Cartoonists -- Great Britain -- Biography; Furniss, Harry, 1854-1925
Du Maurier took very little interest in the discussions at the table; in
fact, he resented informal debate on the subject of the cartoon as an
interruption to his conversation, although he once suggested a cartoon
which will always rank as one of the most historical hits of Mr.
Punch--a cartoon of the First Napoleon warning Napoleon the Third as he
marches out to meet the Germans in the War of 1870.
At times he might enter into the artistic treatment of the cartoon; and
I reproduce a sketch he did on the back of a _menu_ to explain some idea
in connection with the cartoon which appeared the following week in
_Punch_.
Du Maurier's extremely clever conversation struck me the moment I
joined the staff of _Punch_. As I went part of his way to Hampstead, we
sometimes shared a cab, and in one of these journeys I mentioned my
conviction that he, in my mind, was a great deal more than a humorous
artist, and if he would only take up the pen seriously the world would
be all the more indebted to him. He told me that Mr. James had for some
time said nice things of a similar character.
[Illustration: SUGGESTION BY DU MAURIER FOR _PUNCH_ CARTOON.]
About ten days afterwards I received a letter saying that my
conversation had had an effect upon him, and that he was starting his
first novel. So perhaps the world is really indebted to me, indirectly,
for the pleasure of reading "Peter Ibbetson" and "Trilby;" the fact
being that he had, with Burnand and myself, just visited Paris--the
first time he had set foot in the gay city since his youth. Many things
he saw had impressed him, and "Peter Ibbetson" was the result. How
interesting it was to watch him in Paris, the place of his birth,
standing, the ideal type of a Frenchman himself, smiling and as amused
as a boy at his own countrymen and women. "So very un-English, you
know!" Then, as we drove about Paris, he stood up in the carriage,
excitedly showing us places familiar to him in his young days, and
greatly amused us by pointing out no fewer than three different houses
in which he was born! We three were the guests of Mr. Staat Forbes at
Fontainebleau during the same trip, and du Maurier's sketches of our
pleasant experiences on that occasion appear in _Punch_, under the
heading "Souvenir de Fontainebleau," in three numbers in October, 1886.
In the drawing of our _al fresco_ dinner, "Smith" is our host, I am
"Brown," du Maurier "Jones," and Mr. Burnand "Robinson."
Three years afterwards du Maurier re-visited Paris with most of the
staff to see the Paris Exhibition, 1889. In my sketch "En Route--Mr.
Punch at Lunch," du Maurier is speaking to Mr. Anstey Guthrie, who, "for
this occasion only," called du Maurier the Marquis d'Ampstead.
Du Maurier had a little of the green-eyed monster in his bosom, although
he lived to laugh at all when he himself became the greatest success of
any man in his sphere.
Public-domain text, read in full here on John Shaqi.
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