The Confessions of a Caricaturist, Vol. 1Furniss, Harry
General
The Confessions of a Caricaturist, Vol. 1
Furniss, Harry
Cartoonists -- Great Britain -- Biography; Furniss, Harry, 1854-1925
By the way, the mention of "Trilby" reminds me of a story about Mr. du
Maurier's own Trilby which is perhaps worth recording. Du Maurier for
some years lived on the top of Hampstead Heath, rather inaccessible for
models. But more than once friends asked him to take a sitting from some
lady or another, as he, drawing fashionable ladies, was different,
perhaps, from painters using models for costumes or, as du Maurier
would say, for the "altogether." In this way a model was introduced to
him, and, to his surprise, she drove up to his house in a hansom, and he
heard her asking one of the servants for change of a sovereign to pay
the cabman. She did not sit very well, so after a short time Mr. du
Maurier told her that he only drew from models for part of the day, and,
rather apologetically, said he of course did not pay for the whole of
the usual day's sitting. And she said:
"Oh, thanks! I am only too pleased to sit for a short time. But would
you kindly ask one of your servants to fetch me a hansom?"
[Illustration: _PUNCH_ STAFF RETURNING FROM PARIS.
(_The original hangs on the wall of Mr. Punch's dining room._)]
This made the artist more than ever miserable, and he said:
"Excuse me, but perhaps you are not aware we only pay a modest amount
for sitters; in fact, I generally pay five shillings for two
hours--aw----"
"You don't mean to say you are really going to give me five shillings?
Oh, how kind of you! It will just pay half my cab fare home. I didn't
know I was going to be so lucky." And she vanished, leaving the artist
more bewildered than ever.
Some time afterwards, in Hyde Park, he was surprised to see a carriage
beautifully appointed pulled up to where he was standing, and a lady
lean out and say:
"I have never seen you before to thank you for your kindness in allowing
me to sit for you. I was so anxious to see what a studio was like.
Thanks, awfully; you must let me call again."
Du Maurier had the faculty of unaffected fun, he had also a feeling for
caricature in portraiture, but he did not care to exercise either to any
extent in _Punch_. I recollect Sir Henry Thompson--the celebrated
physician--showing me a copy of a book he had written, in which he
speaks of hospital life in London. Du Maurier had studied in a London
hospital when he first arrived in England, and he wrote to Sir Henry,
then a stranger to him, to ask him if the wretch in his book who wheeled
off the remains of the corpses from the dissecting-room was the same man
he knew and loathed years ago. The sketch accompanying this query Sir
Henry had pasted in the book in triumph. "There is the man," he said,
"to the life!"
At dinner du Maurier ate sparingly, drank moderately, and smoked
cigarettes. He avoided champagne, preferring the wine of his
country--claret; and after dinner, in place of coffee, he had a huge
breakfast-cup of tea, and, like the soap advertisement boy, he was not
happy till he got it.
Public-domain text, read in full here on John Shaqi.
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