The Confessions of a Caricaturist, Vol. 1Furniss, Harry
General
The Confessions of a Caricaturist, Vol. 1
Furniss, Harry
Cartoonists -- Great Britain -- Biography; Furniss, Harry, 1854-1925
London was in darkness. To quote the papers, "Foggy obscuration rested
over the greater part of its area." And I, in common with millions of
others, was having my breakfast by gaslight, when I received an
editorial summons to attend the trial of the Bishop of Lincoln at
Lambeth Palace. Soon a hansom was at the door, with two lamps outside
and one within; the latter smelt most horribly, and I found out later on
that it leaked and had ruined my new overcoat. With an agility quite
marvellous under the circumstances the horse slipped its slimy way over
the greasy streets to Lambeth, and dashed through the fog over
Westminster Bridge in a most reckless manner, which disconcerting
performance was partly explained by its suddenly stopping at the stable
door of Sanger's and refusing to budge. I was partially consoled by the
fact that we were just opposite St. Thomas's Hospital, so that I should
be in good hands if the worst befell. The fog becoming even denser,
Sanger's became veiled from the sight of our fiery steed, which
thereupon consented to slide on towards Lambeth Palace. A sharp turn
brought us to the gateway, where stood a hearse and string of mourning
coaches. Was I too late? Had the Bishops passed sentence, and had the
loved one of Lincoln really been beheaded?
My fears on this point were relieved by a policeman, who restrained my
driver's energetic endeavours to drive through the wall of the Palace,
and as my password was "Jeune" (November would have been more
appropriate on such a morning) I was allowed inside the gates. Here I
could not see my hand, or anyone else's, in front of me, and after
stumbling up some steps and down some others I finally flattened my nose
against a door. Policeman No. 2 suddenly appeared, and turned his
bull's-eye upon me. I felt that I was doomed to the deepest dungeon
beneath the castle moat; I thought of the whipping-post I have read of
in connection with the Palace; of the Guard Room with its pikes and
instruments of torture, and I trembled. Luckily, however, the rays of
the lantern fell upon the note in my hand, addressed to Francis Jeune,
Q.C., and the good-natured "All right, sir. Go hup. 'E's a-speakin'
now," came as a reprieve.
Public-domain text, read in full here on John Shaqi.
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