The Confessions of a Caricaturist, Vol. 1Furniss, Harry
General
The Confessions of a Caricaturist, Vol. 1
Furniss, Harry
Cartoonists -- Great Britain -- Biography; Furniss, Harry, 1854-1925
"How very awkward you are!" cried the Pencil. "See, you have knocked
against and so agitated me that I have actually given Sir William an
extra chin."
"One more or less does not matter, does it?" rejoined the Pen. "I
apologise, and trust you will make allowances for me, as I am only an
artist's Pen, don't you know, and naturally rather uncouth, I fear."
"Pray take a seat upon the indiarubber, and let me know to what I am
indebted for the honour of this visit."
"Well," continued the Pen, "I have flown over here to remind you of your
promise to confess to me some of the secrets of caricature."
"Ah, yes," replied the Pencil, "I remember now. I have really been so
busy sketching Members of Parliament at St. Stephen's, that I had almost
forgotten my promise."
"A poor Pen is out of place in an artist's studio, except to minister to
the requirements of the autograph hunter. Well, you need not be jealous.
My literary flight is not intended to be a very high one after all. Now
you know more about the secrets of the studio than I do; so tell me, is
it the custom of H. F. to have a regular sitting for a caricature, after
the fashion of the portrait painters?"
"Oh, you are too delightfully innocent altogether," laughed the Pencil,
rubbing its leaden head rapidly on a piece of paper, to sharpen its
point. "A regular sitting! What do _you_ think? No, sir, no,
emphatically never. Such an operation would be fatal to the delicate
constitution of a caricature, and the result would not be worth the
paper upon which it is drawn. It is only in ordinary portraiture that a
sitting is required, and upon that point I have a theory."
"Oh, never mind your theories now, old fellow," rejoined the Pen, as it
took a sip of ink and prepared to chronicle the reply. "What I want to
chat to you about at present is how to catch a caricature."
The Pencil pricked up his ears, and with a knowing wink, said:
"Ah, I see! You want to know secrets. Well, I will tell you 'how it's
done.' The great point about a caricature is that it must be caught
unawares. A man when he thinks he is unobserved struts about gaily, just
for all the world like a hedgehog. All his peculiarities are then as
evident as your cousins the quills upon the back of the fretful
porcupine. But the moment the man or woman who is about to be
caricatured observes H. F. take me in hand, I always notice that he
shrivels up and collapses as quickly as one of the insectivora surprised
at his feast. But wait a moment: now you ask me, I do recollect one
unfortunate man who, despite H. F.'s protest, insisted upon coming here
once to sit for a caricature. He looked the picture of misery, and sat
in the chair there, just as if he were at a dentist's. H. F. made a most
flattering portrait. Indeed, so much too handsome was it that I could
hardly follow the workings of his fingers, I was laughing so."
Public-domain text, read in full here on John Shaqi.
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