The Confessions of Harry Lorrequer — CompleteLever, Charles
General
The Confessions of Harry Lorrequer — Complete
Lever, Charles
Fiction
Now, though the kettle aforesaid was, as the hostess very properly
observed, beside him, yet the fact that in complying with the demand,
it was necessary for the bashful youth to leave the recess he occupied,
and, with the kettle, proceed to walk half across the room—there to
perform certain manual operations requiring skill and presence of mind,
before a large and crowded assembly—was horror to the mind of the poor
Jib; and he would nearly as soon have acceded to a desire to dance a
hornpipe, if such had been suggested as the wish of the company.
However, there was nothing for it; and summoning up all his
nerve—knitting his brows—clenching his teeth, like one prepared to “do
or die,” he seized the hissing cauldron, and strode through the room,
like the personified genius of steam, very much to the alarm of all the
old ladies in the vicinity, whose tasteful drapery benefitted but
little from his progress. Yet he felt but little of all this; he had
brought up his courage to the sticking place, and he was absolutely
half unconscious of the whole scene before him; nor was it till some
kind mediator had seized his arm, while another drew him back by the
skirts of the coat, that he desisted from the deluge of hot water, with
which, having filled the tea-pot, he proceeded to swamp every thing
else upon the tray, in his unfortunate abstraction. Mrs. Clanfrizzle
screamed—the old ladies accompanied her—the young ones tittered—the men
laughed—and, in a word, poor Cudmore, perfectly unconscious of any
thing extraordinary, felt himself the admired of all admirers,—very
little, it is true, to his own satisfaction. After some few minutes
exposure to these eclats de rire, he succeeded in depositing the source
of his griefs within the fender, and once more retired to his
sanctuary,—having registered a vow, which, should I speak it, would
forfeit his every claim to gallantry for ever.
Public-domain text, read in full here on John Shaqi.
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