The Confessions of Jean Jacques Rousseau — CompleteRousseau, Jean-Jacques
Philosophy
The Confessions of Jean Jacques Rousseau — Complete
Rousseau, Jean-Jacques
Authors, French -- 18th century -- Biography; Rousseau, Jean-Jacques, 1712-1778
He frequently visited Madam de Warens, who entertained, caressed, and
made much of him, letting him sometimes lace her stays, an office he was
willing enough to perform. While thus employed, she would run about the
room, this way or that, as occasion happened to call her. Drawn by the
lace, Monsieur the Superior followed, grumbling, repeating at every
moment, “Pray, madam, do stand still;” the whole forming a scene truly
diverting.
M. Gras willingly assented to the project of Madam de Warens, and, for a
very moderate pension, charged himself with the care of instructing me.
The consent of the bishop was all that remained necessary, who not only
granted it, but offered to pay the pension, permitting me to retain the
secular habit till they could judge by a trial what success they might
have in my improvement.
What a change! but I was obliged to submit; though I went to the
seminary with about the same spirits as if they had been taking me to
execution. What a melancholy abode! especially for one who left the
house of a pretty woman. I carried one book with me, that I had borrowed
of Madam de Warens, and found it a capital resource! it will not be
easily conjectured what kind of book this was--it was a music book.
Among the talents she had cultivated, music was not forgotten; she had a
tolerable good voice, sang agreeably, and played on the harpsichord. She
had taken the pains to give me some lessons in singing, though before
I was very uninformed in that respect, hardly knowing the music of
our psalms. Eight or ten interrupted lessons, far from putting me in
a condition to improve myself, did not teach me half the notes;
notwithstanding, I had such a passion for the art, that I determined to
exercise myself alone. The book I took was not of the most easy kind; it
was the cantatas of Clerambault. It may be conceived with what attention
and perseverance I studied, when I inform my reader, that without
knowing anything of transposition or quantity, I contrived to sing with
tolerable correctness, the first recitative and air in the cantata of
Alpheus and Arethusa; it is true this air is, so justly set, that it is
only necessary to recite the verses in their just measure to catch the
music.
Public-domain text, read in full here on John Shaqi.
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