She had a daughter, whom she had often described in the warmest terms of maternal affection: this daughter was fifteen, lively, charming, and of an amiable disposition. Madam de Larnage promised me her friendship; I had not forgotten that promise, and was curious to know how Mademoiselle de Larnage would treat her mother’s ‘bon ami’. These were the subjects of my reveries from the bridge of St. Esprit to Remoulin: I had been advised to visit the Pont-du-Gard; hitherto I had seen none of the remaining monuments of Roman magnificence, and I expected to find this worthy the hands by which it was constructed; for once, the reality surpassed my expectation; this was the only time in my life it ever did so, and the Romans alone could have produced that effect. The view of this noble and sublime work, struck me the more forcibly, from being in the midst of a desert, where silence and solitude render the majestic edifice more striking, and admiration more lively, for though called a bridge it is nothing more than an aqueduct. One cannot help exclaiming, what strength could have transported these enormous stones so far from any quarry? And what motive could have united the labors of so many millions of men, in a place that no one inhabited? I remained here whole hours, in the most ravishing contemplation, and returned pensive and thoughtful to my inn. This reverie was by no means favorable to Madam de Larnage; she had taken care to forewarn me against the girls of Montpelier, but not against the Pont-du-Gard--it is impossible to provide for every contingency. On my arrival at Nismes, I went to see the amphitheatre, which is a far more magnificent work than even the Pont-du-Gard, yet it made a much less impression on me, perhaps, because my admiration had been already exhausted on the former object; or that the situation of the latter, in the midst of a city, was less proper to excite it. This vast and superb circus is surrounded by small dirty houses, while yet smaller and dirtier fill up the area, in such a manner that the whole produces an unequal and confused effect, in which regret and indignation stifle pleasure and surprise. The amphitheatre at Verona is a vast deal smaller, and less beautiful than that at Nismes, but preserved with all possible care and neatness, by which means alone it made a much stronger and more agreeable impression on me. The French pay no regard to these things, respect no monument of antiquity; ever eager to undertake, they never finish, nor preserve anything that is already finished to their hands.