In the warmer and milder climates of America, none of the rude tribes were clothed; for them there was little need of defense against the weather, and their extreme indolence indisposed them to any exertion not absolutely necessary for their subsistence. Others were satisfied with a very slight covering, but all delighted in ornaments. They dressed their hair in different forms, stained their skins, and fastened bits of gold, or shells, or bright pebbles in their noses and cheeks. They also frequently endeavored to alter their natural form and feature; as soon as an infant was born, it was subjected to some cruel process of compression, by which the bones of the skull while still soft, were squeezed into the shape of a cone, or flattened, or otherwise distorted.[266] But in all efforts to adorn or alter their persons, the great object was to inspire terror and respect. The warrior was indifferent to the admiration of woman, whom he enslaved and despised, and it was only for war or the council that he assumed his choicest ornaments, and painted himself with unusual care. The decorations of the women were few and simple; all those that were precious and splendid were reserved for their haughty lords. In several tribes, the wives had to devote much of their time to adorning their husbands, and could bestow little attention upon themselves. The different nations remaining unclothed show considerable sagacity in anointing themselves in such a manner as to provide against the heat and moisture of the climate. Soot, the juices of herbs having a green, yellow, or vermilion tint, mixed with oil and grease, are lavishly employed upon their skin to adorn it and render it impervious. By this practice profuse perspiration is checked, and a defense is afforded against the innumerable and tormenting insects that abound every where in America.[268] Black and red are the favorite colors for painting the face. In war, black is profusely laid on, the other colors being only used to heighten its effect, and give a terrible expression to the countenance.[269] The breast, arms, and legs of the Indian are tattooed with sharp needles or pointed bones, the colors being carefully rubbed in. His Manitou, and the animal chosen as the symbol of his tribe, are first painted, then all his most remarkable exploits, and the enemies he has slain or scalped, so that his body displays a pictorial history of his life.[270]