The Conspiracy of Gianluigi Fieschi, or, Genoa in the sixteenth century.Celesia, Emanuele
History
The Conspiracy of Gianluigi Fieschi, or, Genoa in the sixteenth century.
Celesia, Emanuele
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547; Genoa (Italy) -- History
We have preferred to translate from the Latin of Bonfadio[45] this
speech of the count rather than to compose one in the style of
rhetoricians. Bonfadio, who was a witness of that revolt, thus clearly
displays the object of Fieschi to overthrow Gianettino who aimed to
master the republic and to build again the popular government. Still,
we are not able to agree with Bonfadio that the count intended to
assassinate Andrea; because what we have written tends to prove the
contrary, and still more because the murder of the old and decrepit
prince would have provoked universal condemnation, and finally because
the means of escape were left open to him. It was doubtless for the
interests of Bonfadio to receive this fable and incorporate it in his
history, to justify Doria’s sanguinary vengeance.
The words of Gianluigi powerfully moved his guests. They
enthusiastically offered to share the perils of the enterprise. Two,
Giovanni Battista Cattaneo-Bava and Giovanni Battista Giustiniano,
alone refused to take arms; not because they dissented from the
views of Fieschi, but because they trembled at the sight of muskets
and sabres. Some of their companions drew their daggers and wished
to assassinate the cowards on the spot; but Gianluigi interposed
and contented himself with confining them under guard to prevent
their revealing the conspiracy. This is a new proof of the count’s
unwillingness to shed blood.
Fieschi then placed, one by one, under the eyes of his companions the
letters of Pierluigi, of cardinal Farnese and of others, which clearly
showed that Gianettino aspired to royal state and, as if already
mounted to a throne, was planning the death of the count. A cry of
indignation burst from the whole company and all swore to liberate the
country and the count from the plots of the common enemy.
Fieschi then visited his wife whom he found immersed in the most
profound sorrow. The military preparation, the clang of arms and the
crowd filling the palace had too clearly revealed to her that a bloody
enterprise was on foot. He tried to console her, told her for the first
time the long history of his conspiracy and assured her that no danger
lay before him. But Eleonora strove to change his audacious purpose.
She kissed him, she hung upon his neck and exhausted her affectionate
acts to bend his resolute will. Pansa entered at that moment and he,
too, tried to divert him from the undertaking; but with no better
success than the countess Eleonora. Fieschi embraced his beloved spouse
whose tears moved his heart to profound pity; but his preparations were
made, and if he had wished it there was no place for retreat. When the
stern voice of Verrina called him from her arms, the tears disappeared
in an instant from his eye-lashes; the husband vanished and only the
conspirator remained. Eleonora fell lifeless into the arms of Pansa.
Public-domain text, read in full here on John Shaqi.
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