The Conspiracy of Gianluigi Fieschi, or, Genoa in the sixteenth century.Celesia, Emanuele
History
The Conspiracy of Gianluigi Fieschi, or, Genoa in the sixteenth century.
Celesia, Emanuele
Fiéschi, Gian Luigi, conte di Lavagna, 1522-1547; Genoa (Italy) -- History
But the genial studies, the love and charms of his wife, did not
enervate the manly spirit of the count. At every step his mother’s
voice reproached him for attempting no daring enterprises. From the
towers of his palace he saw Genoa lying at his feet and seeming to call
him to deliver her. He looked out upon the sea and saw it whitened
with the sails of Gianettino, his rival and the expected despot of his
native land. A sense of magnanimous indignation warmed his bosom. The
son of Sinibaldo, the heir of such an illustrious house, could not
endure the sight of his country sitting under the shadow of a foreign
power, if not enslaved, certainly not free.
CHAPTER V.
THE PLOTS OF FIESCHI.
The political ideas of the sixteenth century--The advice of Donato
Gianotto to the Italians--Generous aims of Gianluigi Fieschi--His
reported plots with Cesare Fregoso disproved--The conspiracy with
Pietro Strozzi a fable--Fieschi has secret conferences with Barnaba
Adorno, lord of Silvano--Pier Luca Fieschi and his part in the
conspiracy of Gianluigi--The Count sends Cagnino Gonzaga to treat with
France--The purchase of the Farnesian galleys--Francesco Burlamacchi.
ACCORDING to our belief, a single idea directed the movements of the
Peninsula in the first part of the sixteenth century--the thought
common to all the people of emancipating the country from that foreign
power which was corrupting the national character, literature, and
art. Classic and courtly history has found in these stormy years only
local and isolated conspiracies; few writers, we might almost say none,
have heard, in these risings of peoples crushed under the ambitions of
the great, the mighty groan of a dying nation not yet resigned to her
terrible fate.
The national Guelph tradition refused to yield place to the new
imperial system which was slowly destroying the old charters of the
communes. There were generous throbs which showed that the old body
politic, though sore wounded, still contained the breath of life; every
city of Italy on the verge of the grave rose up with the last strength
of an expiring man, protested with blood, and died.
Palermo protested in her hero Giovanni Squarcialupo whose death
consecrated her cause; she renewed her life in the patriotism of the
Abbattelli, who could not turn back her destiny. Naples was lit up
with insurrection. Milan, always foremost in magnanimous enterprises,
raised her head, when Morone incited the marquis of Pescara against the
emperor, and that nobleman first promised to lead the revolution and
then betrayed it to the tyrant. Perugia in vain set up the banner of
the Republic; Florence fought, Siena renewed the memory of Saguntum,
and Lucca burned audacious fires of civil and religious liberty.
There was scarcely a city or village which did not recall its Latin
traditions, and combat the monarchical power which was descending like
a tempest on the whole nation.
Public-domain text, read in full here on John Shaqi.
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