The Contemporary Review, Volume 36, December 1879Various
Religion
The Contemporary Review, Volume 36, December 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
All the world knows, or is supposed to know, this work. Mr. Disraeli's
own description of its object was that it was meant to paint the
career of a youth of talent in modern society, ambitious of political
celebrity. Nearly everybody has persisted in regarding it as a kind
of prospective autobiography, which the writer has ever since been
occupied in realizing. Certainly Mr. Disraeli was at that time a
youth, and a youth of talent; he must have been in society or he could
not have known a great many people who are sketched in the pages; and
it is impossible for him to deny that he was ambitious of political
celebrity. The means Vivian Grey adopted for attaining that aim
were, also, wonderfully like some of those which Mr. Disraeli himself
afterwards, by some mistake, appeared to use. On the title-page of the
book was the well-known quotation from "Ancient Pistol," to whom, in
the eyes of some people, Lord Beaconsfield at certain moments of his
career has ever had an indistinct resemblance. "The world is mine
oyster," the motto stated, either on behalf of the writer or the hero;
going on to add the rest, to the effect that either the one or the
other meant to open it. Lord Beaconsfield has assuredly done so. The
profound reflection which prompts the youthful hero of the book to his
course of action was this:--"How many a powerful noble wants only wit
to be a Minister; and what wants Vivian Grey to attain the same end?
That noble's influence." Not many years after this Mr. Disraeli was
seen in public very close to Lord Chandos. But it was not that Lord
but Lord Carabas that Vivian Grey chose for his patron, which is, no
doubt, a difference. The story most frankly relates how Vivian wins
the marquis by teaching him how to make tomahawk punch, how he wins
the marchioness by complimenting her poodle, and how during the task
he consoles himself by such thoughts as this:--"Oh, politics, thou
splendid juggle!" His settled purpose he thus sums up: "Mankind, then,
is my great game." He expressly states that he is to win this game
by the use of his "tongue," on which he states he is "able to perform
right skilfully;" but it will, he recognises, be requisite "to mix
with the herd" and to "humour their weaknesses." The chief guiding
rule which he lays down for himself in the midst of it all is, "that
he must be reckless of all consequences save his own prosperity."
Public-domain text, read in full here on John Shaqi.
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