The Contemporary Review, Volume 36, November 1879Various
Philosophy
The Contemporary Review, Volume 36, November 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
"Not poppy, nor mandragora,
Nor all the drowsy syrups of the world,
Shall ever med'cine thee to that sweet sleep
Which thou own'dst yesterday."
Probably the use of mandragora as a narcotic may have continued much
later than the thirteenth century. In earlier times it was certainly
used as opium is now used, not for medicinal purposes, but to produce
for a while an agreeable sensation of dreamy drowsiness. "There were
those," says Dr. Richardson, in his interesting article on Narcotics in
the CONTEMPORARY REVIEW for July last, "who drank of it for taste or
pleasure, and who were spoken of as 'mandragorites,' as we might speak
of 'alcoholists' or 'chloralists.' They passed into the land of sleep
and dream, and waking up in scare and alarm were the screaming mandrakes
of an ancient civilization." He has himself made the "morion" of the
ancients, dispensing the prescription of Dioscorides and Pliny. "The
same chemist, Mr. Hanbury," he says, "who first put chloral into my
hands for experiment, also procured for me the root of the true
mandragora. From that root I made the morion, tested it on myself, tried
its effects, and re-proved, after a lapse perhaps of four or five
centuries, that it had all the properties originally ascribed to it."
The "deadly nightshade" has similar properties. (In fact, morion was
originally made from the _Atropa belladonna_, not from its ally the
_Atropa mandragora_.) In 1851, Dr. Richardson attended two children who
were poisoned for a time from eating the berries and chewing the leaves
of the nightshade, which they had gathered near Richmond. They were
brought home insensible, he says, "and they lay in a condition of
suspended life for seven hours, the greatest care being required to
detect either the respiration or the movements of the heart; they
nevertheless recovered."
Public-domain text, read in full here on John Shaqi.
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