The sermons were delivered first at Little Portland Street Chapel, where Mr. Wicksteed succeeded Dr. Martineau, and afterwards at the Free Christian Church at Croydon, where the Rev. Rodolph R. Suffield formerly preached, but where the Rev. E. M. Geldart is now (we believe) the minister. The book contains only about 160 pages, and gives a very readable and complete account both of Dante and his poetry. The style is that of the pulpit, iterative, florid, and full of amplifications; but that was natural. It is a serious matter, however, that the author keeps up his strain of eulogy from end to end at a pitch which has an almost _falsetto_ sound with it. It seems hardly fair to leave unnoticed the charges of artificiality and worse which have been abundantly made against Dante and his poetry, especially as this book is intended for popular use; and it is a pity that Mr. Wicksteed should go out of his way to settle difficult questions in this off-hand way:-- "It is often held and taught, that a strong and definite didactic purpose must inevitably be fatal to the highest forms of art, must clip the wings of poetic imagination, distort the symmetry of poetic sympathy, and substitute hard and angular contrasts for the melting grace of those curved lines of beauty which pass one into the other. Had Dante never lived, I know not where we should turn for the decisive refutation of this thought; but in Dante it is the very combination said to be impossible that inspires and enthrals us. A perfect artist guided in the exercise of his art by an unflagging intensity of moral purpose; a prophet, submitting his inspirations"-- and so forth, in the same strained and insistent key. But no wise critic has ever said that "a strong and definite didactic purpose must inevitably be fatal to the highest forms of art." What is maintained on _that_ side of the debate is that the "purpose" must not be permitted to shape the poem; that the poem itself must be moulded upon lines of beauty and not of "moral purpose"--though the "moral purpose" may be immanent in the work. But who is bound to take Mr. Wicksteed's word for the statement that Dante's great poem is not the very strongest confirmation in all literature of the truth that a _controlling_ and _interfering_ moral purpose injures a poem, Milton's "Paradise Lost" being the next strongest? * * * * *