Who is Calypso? Her name bespeaks her nature not ambiguously. It is from καλύπτειν, to cover or conceal. She is the shrouder, or the shrouded place, answering exactly therefore to Hel, which, as has before been said, comes from the verb _helja_, "to hide." How, then, can Calypso be anything else than death, as she dwells there in her cave, by the shores of the sea? How can Odysseus' life with her, his sleep in her cave, be anything else than an image of dying? The gods have determined that the hero shall not remain in this mortal sleep for ever; so Hermes is sent to command Calypso to let Odysseus go. Hermes is the god whose mission it is to lead souls down to the realm of Hades--the psychopomp, as in this office he is called. But sometimes he may come upon an opposite message, to restore men to life; the staff which closes the eyes of men may likewise open them when asleep. On such a task he comes-- "Wind-like beneath, the immortal golden sandals Bare up his flight o'er the limitless earth and the sea; And in his hand that magic wand he carried, Wherewith the eyes of men he closes in slumber, Or wakens from sleeping." He comes like the breath of morning awakening the world, to rouse our hero from the embrace of death; and the whole scene is beautifully attuned to an image of returning life. Therefore the interference of Hermes between Odysseus and Calypso is full of significance. We accordingly meet the same episode in the Circe tale. That this last is a later widening of the first story appears from many things; chiefly in this, that there is more moral in the history; for the truest myth is content to follow the actual workings of nature, without attempting to adorn a story with extraneous incident, or to convert its simplicity into the complexities of allegory. That turning the companions into swine was a punishment for luxury--that points the moral; the original Circe, we may be sure, only touched her lovers with her sleepy magic rod. It was the same wand with the "slepy yerde"[17] of Hermes, and she used it not wantonly but only because all whom she embraces must fall into the unwakeful slumber. If Circe's name does not reveal her nature so nakedly as Calypso's does, this is but consistent with the fact of her later creation. Nevertheless, we easily recognise by it death in one of its many types--a ravenous animal or bird, a hawk or wolf.[18]