The Contemporary Review, Volume 36, October 1879Various
History
The Contemporary Review, Volume 36, October 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
Since the time when Jeffrey ruled the _Edinburgh Review_, and even since
the death of Mr. Napier, "the advertising element," and commercial
elements in general, have played a great and new part, an increasing
part, too, in the fortunes, and thus in regulating the quality and
tendency, of current literature. One result of this state of things is
an ever-increasing tendency to compromise in the expression of opinion.
In spite of the spirit of tolerance of which we hear so much, there was
perhaps never a time in which the expression of opinion was so much
emasculated in the higher periodical literature, or in which so much
trickery of accommodated phraseology was going forward. This will last
for a long time yet--as long as periodical literature is a matter of
commercial speculation. It is an evil omen that the greatest amount of
freedom now displayed is in political and scientific discussion. It is
difficult to see where the remedy is to come from in discussions of
another kind. Probably we shall have a lesson by the cataclysmic method
before very long. There is in this volume a letter from Brougham to
Napier, in which Brougham is very angry about an indirect disclosure of
Romilly's heterodoxy, and he goes off at a tangent to express a doubt
whether Macaulay was any better than Romilly, but is very anxious that
conventional conformity should be strictly maintained in the Review,
even to the length of concealing from the general reader as far as
possible such facts as that a man so good and "religious" as Romilly
could be a disbeliever in this, that, or the other. We have now got
beyond that; the accredited policy is in a vague way to trump the cards
of the dangerous people, and then nobody shows his hand fairly and
freely. Meanwhile, everybody feels uneasy, from a latent sense of
insincerity; and, when once the excitement is off, the natural
perception that out of nothing nothing can come, reassumes its sway.
The game cannot go on in this way for ever, though no one can foresee by
what accident the lights will be blown out, the tables thrown over, and
the stakes roughly dealt with at last.
Public-domain text, read in full here on John Shaqi.
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