The Contemporary Review, Volume 36, September 1879Various
History
The Contemporary Review, Volume 36, September 1879
Various
Arts -- Periodicals; Literature -- Periodicals; Political science -- Periodicals
Suppose the line of sight down the entrance passage were continued
upwards along an ascending passage, after reflection at a perfectly
horizontal surface--the surface of still water--then by the simplest of
all optical laws, that of the reflection of light, the descending and
ascending lines of sight on either side of the place of reflection,
would lie in the same vertical plane, that, namely, of the entrance
passage, or of the meridian. Moreover, the farther upwards an ascending
passage was carried, along which the reflected visual rays could pass,
the more perfect would be the adjustment of this meridional plane.
To apply this method, it would be necessary to temporarily plug up the
entrance passage where it passed into the solid rock, to make the
stone-work above it very perfect and close fitting, so that whenever
occasion arose for making one of the observations we are considering,
water might be poured into the entrance passage, and remain long enough
standing at the corner (so to speak) where this passage and the
suggested ascending passage could meet, for Alpha Draconis to be
observed down the ascending passage. Fig. 2 shows what is meant. Here D
C is the descending passage, C A the ascending passage, C the corner
where the water would be placed when Alpha Draconis was about to pass
below the pole. The observer would look down A C, and would see Alpha
Draconis by rays which had passed down D C, and had been reflected by
the water at C. Supposing the building to have been erected, as Lepsius
and other Egyptologists consider, at the rate of one layer in each year,
then only one observation of the kind described need be made per annum.
Indeed, fewer would serve, since three or four layers of stone might be
added without any fresh occasion arising to test the direction of the
passage C A.
[Illustration: Fig. 2.]
Public-domain text, read in full here on John Shaqi.
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