The Continental Classics, Volume XVIII., Mystery Tales: Including Stories by Feodor Mikhailovitch Dostoyevsky, Jörgen Wilhelm; Bergsöe and Bernhard Severin IngemannVarious
General
The Continental Classics, Volume XVIII., Mystery Tales: Including Stories by Feodor Mikhailovitch Dostoyevsky, Jörgen Wilhelm; Bergsöe and Bernhard Severin Ingemann
Various
Detective and mystery stories
On her right hand sat her eldest son, Thomas Bardy, a man of between
fifty and sixty. With a haughty and commanding countenance,
penetrating glance, lofty figure, and noble mien, he was a true type
of that ancient aristocracy which is now beginning to die out.
Opposite to him, at the old lady's left hand, sat the darling of the
family--a lovely girl of about fifteen. Her golden hair fell in
luxuriant tresses round a countenance of singular beauty and
sweetness. The large and lustrous deep-blue eyes were shaded by long
dark lashes, and her complexion was pale as the lily, excepting when
she smiled or spoke, and a slight flush like the dawn of morning
overspread her cheeks.
Jolanka was the orphan child of a distant relative, whom the Bardys
had adopted. They could not allow one who bore their name to suffer
want; and it seemed as if each member of the family had united to heap
affection and endearment on the orphan girl, and thus prevented her
from feeling herself a stranger among them.
There were still two other female members of the family: Katalin, the
old lady's daughter, who had been for many years a widow; and the wife
of one of her sons, a pretty young woman, who was trying to teach a
little prattler at her side to use the golden spoon which she had
placed in his small, fat hand, while he laughed and crowed, and the
family did their best to guess what he said, or what he most
preferred.
Opposite to them there sat two gentlemen. One of them was the husband
of the young mother, Jozsef Bardy--a handsome man of about
thirty-five, with regular features, and black hair and beard; a
constant smile beamed on his gay countenance, while he playfully
addressed his little son and gentle wife across the table. The other
was his brother, Barnabas--a man of herculean form and strength. His
face was marked by smallpox; he wore neither beard or mustache, and
his hair was combed smoothly back, like a peasant's. His disposition
was melancholy and taciturn; but he seemed constantly striving to
atone, by the amiability of his manners, for an unprepossessing
exterior.
Next to him sat a little cripple, whose pale countenance bore that
expression of suffering sweetness so peculiar to the deformed, while
his lank hair, bony hands, and misshapen shoulders awakened the
beholder's pity. He, too, was an orphan--a grandchild of the old
lady's; his parents had died some years before.
Two little boys of about five years old sat opposite to him. They were
dressed alike, and the resemblance between them was so striking that
they were constantly mistaken. They were twin-children of the young
couple.
Public-domain text, read in full here on John Shaqi.
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