The Continental Classics, Volume XVIII., Mystery Tales: Including Stories by Feodor Mikhailovitch Dostoyevsky, Jörgen Wilhelm; Bergsöe and Bernhard Severin IngemannVarious
General
The Continental Classics, Volume XVIII., Mystery Tales: Including Stories by Feodor Mikhailovitch Dostoyevsky, Jörgen Wilhelm; Bergsöe and Bernhard Severin Ingemann
Various
Detective and mystery stories
"There you are, and twenty for yourself. Look, what a lot of money!"
turning to Zametoff and thrusting forth his shaking hand filled with
the twenty-five rubles, red and blue notes. "Whence comes all this?
Where did I obtain these new clothes from? You know I had none. You
have asked the landlady, I suppose? Well, no matter!--Enough! Adieu,
most affectionately."
He went out, shaking from some savage hysterical emotion, a mixture of
delight, gloom, and weariness. His face was drawn as if he had just
recovered from a fit; and, as his agitation of mind increased, so did
his weakness.
Meanwhile, Zametoff remained in the restaurant where Raskolnikoff had
left him, deeply buried in thought, considering the different points
Raskolnikoff had placed before him.
His heart was empty and depressed, and he strove again to drive off
thought. No feeling of anguish came, neither was there any trace of
that fierce energy which moved him when he left the house to "put an
end to it all."
"What will be the end of it? The result lies in my own will. What kind
of end? Ah, we are all alike, and accept the bit of ground for our
feet and live. Must this be the end? Shall I say the word or not? Oh,
how weary I feel! Oh, to lie down or sit anywhere! How foolish it is
to strive against my illness! Bah! What thoughts run through my
brain!" Thus he meditated as he went drowsily along the banks of the
canal, until, turning to the right and then to the left, he reached
the office building. He stopped short, however, and, turning down a
lane, went on past two other streets, with no fixed purpose, simply,
no doubt, to give himself a few moments longer for reflection. He went
on, his eyes fixed on the ground, until all of a sudden he started, as
if some one had whispered in his ear. Raising his eyes he saw that he
stood before _the house_, at its very gates.
Quick as lightning, an idea rushed into his head, and he marched
through the yard and made his way up the well-known staircase to the
fourth story. It was, as usual, very dark, and as he reached each
landing he peered almost with caution. There was the room newly
painted, where Dmitri and Mikola had worked. He reached the fourth
landing and he paused before the murdered woman's room in doubt. The
door was wide open and he could hear voices within; this he had not
anticipated. However, after wavering a little, he went straight in.
The room was being done up, and in it were some workmen. This
astonished him--indeed, it would seem he had expected to find
everything as he had left it, even to the dead bodies lying on the
floor. But to see the place with bare walls and bereft of furniture
was very strange! He walked up to the windows and sat on the sill. One
of the workmen now saw him and cried:
"What do you want here?"
Public-domain text, read in full here on John Shaqi.
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