The Continental Dragoon: A Love Story of Philipse Manor-House in 1778Stephens, Robert Neilson
History
The Continental Dragoon: A Love Story of Philipse Manor-House in 1778
Stephens, Robert Neilson
New York (State) -- History -- Revolution, 1775-1783 -- Fiction
"You were my prisoner. I set you free!" she said, dropped the rope to
the floor, and handed him the broken sword.
He took the weapon in his right hand, and imprisoned Elizabeth with
his left arm.
"I'm more your prisoner now than ever!" he said. "You've cut these
bonds. Will you put others on me?"
"Sometime,--if we can save your life!" she answered.
Both turned their eyes towards Colden.
The Tory officer had drawn his sword, and was motioning, in great
excitement, to his soldiers outside.
"This way, men!" he shouted. "To the front door! Damn the louts! Can't
they understand?" He beat upon the window with his sword, knocking out
panes of glass. "Come through that door, I say! Quick, curse you,
there's a prisoner here, with a price for his taking! Ay, that's it!
Some one in the hall there, open the front door to my men!"
The sound now came of knocks bestowed on the outside door, and of
Sam's heavy tread on the hall floor.
"Williams! Sam!" shouted Elizabeth. "Don't let them in!"
The heavy tread was heard to stop short. The knocking on the outer
door was resumed.
"Let them in, I say," roared Colden, too proud to go himself to the
door. "I command it, in the name of the King!"
"Obey your mistress," cried Peyton, to those in the hall. "I command
it, in the name of Congress!"
Colden was silent for a moment, then suddenly threw open the window
and called out, "This way, men! Quick!"
And he drew pistol, and stood ready with steel and ball to guard the
window by which his men were to enter. A new, wild ferocity was on his
face, a new, nervous hardness in his body, as if the latent resolution
and strength which a prudent man keeps for a great contest, on which
his all may depend, were at last aroused. In such a mood, the man who,
governed by interest, may have seemed a coward all his life becomes
for the once supremely formidable. At last he thinks the stake worth
the play, at last the prize is worth the risk, and because it is so he
will play and risk to the end, hazarding all, not yielding while he
breathes. Having opened the theme which alone, of all themes, shall
transform his irresolution into action, he will, Hamlet like, "fight
upon this theme until" his "eyelids will no longer wag." So was Colden
aroused, transfigured, as he stood doubly armed by the window, waiting
for his men to clamber in.
"What shall we do, dear?" said Elizabeth.
"Fight!" replied Peyton, tightening at the same time his right palm
around his broken sword, and his left around the hand she had let him
take,--for she had moved from the embrace of his arm.
"Ay, there are only two of them," she said, as two burly forms
appeared in the open window, one behind the other.
"There will be three of us, you'll find!" cried Colden. "This time
I'll take a hand, if need be."
"You must not stay here," said Peyton to Elizabeth, quickly. "Things
will be flying loose in a moment!"
"I won't leave you!" said she.
Public-domain text, read in full here on John Shaqi.
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