The Continental Monthly, Vol. 1, No. 1, January 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 1, January 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
I informed Evelyn of my plan, and conveyed her to our destined
residence. She was not at first much moved, but after we had entered on
possession, and she was thoroughly engaged in selecting an amateur
company from our acquaintances and arranging for our forthcoming
exhibitions, the old enthusiasm of her former profession revived, and
she appeared for the time transported back to the auspicious hours of
her young triumphs. 'The School for Scandal' was chosen for our first
performance--I of course taking the part of Sir Peter, and she that of
Lady Teazle. I did not allow my feelings once to transcend the part,
and in the conclusion looked completely the happy, good-natured,
self-satisfied, old husband. Heaven! had her protestations, where the
reconciliation occurred, been genuine, and not mere dramatic fiction!
The thought almost overpowered me. I could see the young bucks of the
city chuckling over my position, and evidently wishing they were in the
place of _that old fool_!
* * * * *
I need not relate the innumerable stratagems I devised to employ the
attention and heart of my wife in pleasures emanating from myself. I was
continually careful, however, to exhibit no sign of tender appreciation,
but allowed her to regard them as the mere ordinary gratification of my
own whims and wishes. I had now been for about a year disconnected with
my business. I had encouraged Evelyn in every species of extravagance,
and expended money lavishly in all methods. I was conscious of living
far beyond the ability of even my ample means, but there could not be an
hesitation or halting. The city looked on me with wonder; some spoke of
me as one whom fortune had crazed; others pitied me as the victim of an
extravagant wife. My New York partners expostulated with me, and, when
my theatrical exhibition reached their ears, hinted at a dissolution.
But I was deaf to rumor and reproof.
* * * * *
The person who took the part of Joseph Surface, in our representation of
'The School for Scandal,' was an unmarried gentleman of high standing,
socially and politically, of middle age, fine presence, and superior
abilities. Under polished manners and captivating conversational powers,
were concealed persistent passions and a conscience of marble. Before
even Evelyn suspected it, I was aware that he had resolved on subduing
her to his own designs, for I seemed in all things relating to her to be
gifted with preternatural intuitions.
Our next representation was to be 'The Fatal Marriage,' in which the
person alluded to--whose name was Sefton--was to take the character of
the wooer.
The necessary consultations concerning the production of the piece
brought him frequently to my house, and both the excuse and the
opportunities it gave were diligently improved.
Public-domain text, read in full here on John Shaqi.
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