The Continental Monthly, Vol. 1, No. 1, January 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 1, January 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
How noble such care for our shivering heroes!
Who would not gladly perish for his country
When, for his sake, her great men stoop so low as
The shoddy business!
* * * * *
The Germans have a fine _Spinn-lied_, or song of spinning; so, too, have
the jolly Flemish dames. And a poetical correspondent of ours seems
determined that few and far between as the old-fashioned spinners are in
this country, the race shall not entirely disappear without taking a
song with them, and a quaint, pleasant lesson. Dear reader, to the
CONTINENTAL'S way of thinking, there is something very winning
in the thought of that 'great holiday,' when, free from all task, we
shall play merrily evermore 'out-of-doors,' in eternal light, over
infinite realms of beauty.
SPINNING.
Dearest mother, let me go;
I am tired of this spinning, yet the whizzing wheel goes round,
Till my brain is dull and dizzy with its ceaseless, humming sound.
I can hear a little blue-bird, chirping sweetly in yon tree;
And he would not stay there, mother, if he were not calling me.
Oh! in pity, let me go:
I have spun the flaxen thread, until my aching fingers drop;
And my weary feet will falter, though the whizzing wheel should stop.
I can see the sunny meadow where the gayest flowers grow;
And I long to weave a garland;--dearest mother, let me go.
Nay, be patient, eager child;
Summer smiles beyond the door-way, but stern poverty is here;
We must give her faithful service, if her frown we would not fear.
Spin on cheerly, little daughter, till your needful task is done,
Then go forth with bird and blossom, at the setting of the sun.
Wait _thou_, also, troubled soul;
Thou may'st look beyond the river, where the white-robed angels stand;
Hear the faint, celestial music, wafted from the summer land;
But thou cans't not leave thy labor;--when thy thread is duly spun,
Thou shalt flee on flashing pinions, at the setting of the sun.
* * * * *
The times have been hard, reader, our friend, yet all merriment has not
entirely died out, and there is still the sweet voice of music to be
heard in the land. In New York, Boston, Philadelphia, and many minor
cities, the Benedictine ULLMANN hath been ubiquitously about, operating
most vigorously, while the philosophic and courteous GOSCHE hath not
been far distant. And they heralded HINKLEY, and BORCHARD, and KELLOGG,
and all the other sweet swans of song; they drew after them the gems of
the opera; there was selling of _Libretti_, (and in Boston,
'los-_an_-gers'); there was the donning of scarlet and blue striped
cloaks, gay _coiffures_ and butterflying fans; there was flirting, and
fun, and gentle gayety in the New York Academy, and with the Boston
Academies it was not otherwise, only that among the latter the Saxon
predominateth, and the dark-eyed, music-loving children of Israel, who
so abound in most opera audiences, are very rare.
Public-domain text, read in full here on John Shaqi.
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