We open Emerson's latest work, the _Conduct of Life_, in a hopeful mood. Some mysterious sympathy, born from a natural faith in the progress of a mind that had already proved its power by a daring and successful onslaught upon old habits and associations, strengthened by a more practical philosophy that dawns in _English Traits_, and culminating in the intense passion of yearning in the _Phrenody_, justifies an expectation that is gloriously realized. To the vigilant thinker a decade is worth more than aeons to his sleeping brother. The Emerson of to-day is not the Emerson of twenty or even ten years ago. Here is still the true, epigrammatic style of his youth. He is as lavish of his aphorisms, which, like the coins of Donatello, hang over our heads and are free to every passer-by. Still an antiquarian, like Charles Kingsley, he peers among Etruscan vases, Greek ruins, Norse runes and ancient Dantean Infernos and Escurials for the models of a new literature, a new art, a new life. But an enlarged spirit is visible on every page. 'The south wind is strengthened With the wild, sweet vigor of pine.' We breathe a new air, gaze at new landscapes; a new climate is around us. Take this book into the sultry midsummer, and its words summon the ripe autumn with its fruits up from the west; read it by the light of the blazing Yule log, and it will still recall the wild breezes and warm suns of October. And it is this growing maturity of thought, this evident tendency to a grand realization, that prove the honesty and greatness of the man. He has worked perseveringly at his problems, disdaining to be aided by criticism or crushed by opposition. His power has silently gathered its energies in the mines of Thought, dark but rich, striking shaft after shaft of vast promise. He is a gymnast struggling now with the realities and possibilities of Life, and no longer grappling with ignis-fatui in the marshes by the road. Now his humor gleams genially in keen, swift comparisons: he sports with truths, like a king tossing up his crown-jewels or Vishnu worlds in the 'Cosmogony of Menu,' and he dares do this because they are no longer his masters, because he has made them subservient to an end--the great end of the amelioration of his race. It is this great element of sport that in its broadest development elevates man to the far heights of his nature. There all is serene. 'Sub pedibusque videt nubes et sidera Daphnis.' Even the Hindoos, those earliest _literati_ of the young earth, whose eyes peered first into the intricate machinery of Being, and brought therefrom strange and glowing and miraculous impressions of its mechanical appliances,--strong levers that men use now for criticism,--recognized this element. Afar from the scene of their sorrow, in the lotos a-bloom on Vishnu's head, they beheld the primitive Humor, the laughter of infinite Strength springing from bar to bar in the great gymnasium of life. Thus we read in the Cosmogony of Menu,--