The Continental Monthly, Vol. 1, No. 3, March, 1862Various
History
The Continental Monthly, Vol. 1, No. 3, March, 1862
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
A general scramble followed, in which 'Vic's' sense of decorum forbade
her to join, and she consequently got nothing. Seeing that, I tossed her
a silver piece, which she caught. Grinning her thanks, she shouted,
'Now, clar de track, you nigs; start de music. I'se gwine to gib de
gemman de breakdown.'
And she did; and such a breakdown! 'We w'ite folks,' though it was no
new thing to the Colonel or Tommy, almost burst with laughter.
In a few minutes nearly every negro on the plantation, attracted by the
presence of the Colonel and myself, gathered around the performers; and
a shrill voice at my elbow called out, 'Look har, ye lazy,
good-for-nuffin' niggers, carn't ye fotch a cheer for Massa Davy and de
strange gemman?'
'Is that you, Aunty?' said the Colonel. 'How d'ye do?'
'Sort o' smart, Massa Davy; sort o' smart; how is ye?'
'Pretty well, Aunty; pretty well. Have a seat.' And the Colonel helped
her to one of the chairs that were brought for us, with as much
tenderness as he would have shown to an aged white lady.
The 'exercises,' which had been suspended for a moment, recommenced, and
the old negress entered into them as heartily as the youngest present. A
song from Cato followed the dance, and then about twenty 'gentleman and
lady' darkies joined, two at a time, in a half 'walk-round' half
breakdown, which the Colonel told me was what suggested the well-known
'white-nigger' dance and song of Lucy Long. Other performances
succeeded, and the whole formed a scene impossible to describe. Such
uproarious jollity, such full and perfect enjoyment, I had never seen in
humanity, black or white. The little nigs, only four or five years old,
would rush into the ring and shuffle away at the breakdowns till I
feared their short legs would come off; while all the darkies joined in
the songs, till the branches of the old pines above shook as if they too
had caught the spirit of the music. In the midst of it, the Colonel said
to me, in an exultant tone,--
'Well, my friend, what do you think of slavery _now_?'
'About the same that I thought yesterday. I see nothing to change my
views.'
'Why, are not these people happy? Is not this perfect enjoyment?'
'Yes; just the same enjoyment that aunty's pigs are having; don't you
hear them singing to the music? I'll wager they are the happier of the
two.'
'No; you are wrong. The higher faculties of the darkies are being
brought out here.'
'I don't know that,' I replied. 'Within the sound of their voices, two
of their fellows--victims to the inhumanity of slavery--are lying dead,
and yet they make _Sunday_ 'hideous' with wild jollity, while they do
not know but Sam's fate may be theirs to-morrow.'
Public-domain text, read in full here on John Shaqi.
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