The Continental Monthly, Vol. 1, No. 4, April, 1862: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 4, April, 1862: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
My remote ancestors are Irish. From them I inherited enthusiasm, a
gun-powder temper, a propensity to blunder, and a name--Molly O'Molly.
The origin of this name I have in vain endeavored to trace in history,
perhaps because it belonged to a very old family, one of the
_prehistorics_. As such it might have been that of a demigod, or,
according to the development theory, of a _demi-man_. Or it might have
been that of an old Irish gentleman, _gentle_ in truth;--in the
formative stage of society it is the monster that leaves traces of
himself, as in an old geologic period the huge reptile left his tracks
in the plastic earth, which afterward hardened into rock.
Then, too, I have searched in vain for anything like it in ancient Irish
poetry, thinking that my progenitor's name might have been therein
embalmed. 'The stony science'--mind you--reveals to us the former
existence of the huge reptile, the fragmentary, mighty mastodon, and,
imperfect, the mail-clad fish. But, wonder of wonders, we find the whole
_insect_ preserved in that fossil gum amber. And even so in verse,
characters are preserved for all time, that could not make their mark in
history, and that had none of the elements of an earthly immortality.
Did I wish immortality I would choose a poet for my friend;--an _In
Memoriam_ is worth all the records of the dry chronicler.
But, it is not with the root of the family tree that you have to do, but
with the twig Myself.
As for my physique,--I am not like the scripture personage who beheld
his face in a glass, and straightway forgot what manner of man he was. I
have, on the contrary, a very distinct recollection of my face; suffice
it to say, that, had I Rafaelle's pencil, I would not, like him, employ
it on my own portrait.
Public-domain text, read in full here on John Shaqi.
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