The Continental Monthly, Vol. 1, No. 4, April, 1862: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 4, April, 1862: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
The day has come for a new order of things. The South must learn--and
show by its acts that it has been convinced--that the North is its equal
in those virtues which it claims to monopolize. But this it will only
learn from the young and vigorous minds of the new school,--from its
_enemies_,--and not from the trembling old-fashioned traitors, who have
been so long at its feet that they shiver and are bewildered, now that
they are fairly isolated, by the tide of war, from their former ruler.
Politicians of this stamp, who have grown old while prating of Southern
rights, can not, do not, and never will _realize_ but that, some day or
other, all will be restored in _statu quo ante bellum_. They expect
Union victories, but somehow believe that their old king will enjoy his
own again--that there will be a morning when the South will rule as
before. It is this which inspires their craven timidity. They cry out
against emancipation in every form,--blind to the onward and inevitable
changes which are going on,--so that when the South comes in again they
may point to their record and say, '_We_ were ever true to you. We,
indeed, urged the war, for we were compelled by you to fight, but we
were always true to your main principles.' They have wasted time and
trouble sadly--it will all be of no avail. Be it by the war, be it by
what means it may, the social system and political rule of the South are
irrevocably doomed. It may, from time to time, have its convulsive
recoveries, but it is doomed. The demands of free labor for a wider area
will make themselves felt, and the black will give way to the white, as
in the West the buffalo vanishes before the bee.
Public-domain text, read in full here on John Shaqi.
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