The Continental Monthly, Vol. 1, No. 4, April, 1862: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 4, April, 1862: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
which was astonishing, while all the time they kept screaming, 'One!'
'Four!' 'Three!' 'Two!' 'Five!' etc., etc. 'Ha!' said Caper, 'this is
something like; 'tis an arithmetical, mathematical, etcetrical school in
the open air. The dirtiest one is very quick; he will learn to count
five in no time. But I don't see the necessity of saying "three" when
the other brings down four fingers, or saying "five" when he shows two.
But I suppose it is all right; he hasn't learned to give the right names
yet.' He learned later that they were gambling.
While these men were shouting, there came along an ugly old woman with a
tambourine and a one-legged man with a guitar, and seeing prey in the
shape of Caper at his window, they pounced on him, as it were, and
poured forth the most ear-rending discord; the old lady singing, the old
gentleman backing up against a wall and scratching at an accompaniment
on a jangling old guitar. The old lady had a bandana handkerchief tied
over her head, and whilst she watched Caper she cast glances up and down
the street, to see if some rich stranger, or _milordo_, was not coming
to throw her a piece of silver.
'What are you howling about?' shouted Caper down to her.
'A new Neapolitan canzonetta, signore; all about a young man who grieves
for his sweetheart, because he thinks she is not true to him, and what
he says to her in a serenade.' And here she screechingly sung,--
But do not rage, I beg, my dear;
I want you for my wife,
And morning, noon, and night likewise,
I'll love you like my life.
CHORUS.
I only want to get a word,
My charming girl, from thee.
You know, Ninella, I can't breathe,
Unless your heart's for me!
'Well,' said Caper, 'if this is Italian music, I don't _see_ it.'
The one-legged old gentleman clawed away at the strings of the guitar.
'I say,'_llustrissimo_,' shouted Caper down to him, 'what kind of
strings are those on your instrument?'
'_Excellenza_, catgut,' he shouted, in answer.
'_Benissimo!_ I prefer cats in the original packages. There's a _paolo_:
travel!'
Caper had the misfortune to make the acquaintance of a professor of the
mandolin, a wire-strung instrument, resembling a long-necked squash cut
in two, to be played on with a quill, and which, with a guitar and
violin, makes a concert that thrills you to the bones and cuts the
nerves away.
Public-domain text, read in full here on John Shaqi.
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