The Continental Monthly, Vol. 1, No. 4, April, 1862: Devoted To Literature And National PolicyVarious
History
The Continental Monthly, Vol. 1, No. 4, April, 1862: Devoted To Literature And National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
'Well, she is a pretty hard innimy; and they do talk here in Rome if you
don't toe the mark. But ree-ly, you mustn't go off mad (smiling). You
must call up with Rocjan and see us; and I ree-ly hope that when your
uncle comes you will bring him to my studiyo. I am sure my Enterprise
will soot him.'
So Chapin saw them out of his studio. Not until Caper found himself
seated on a stone bench under the ilexes of the Villa Borghese, watching
the sunbeams darting on the little lizards, and seeing far off the
Albanian Mountains, snowcapped against the blue sky--not until then did
he breathe freely.
'Rocjean,' said he; 'that stone-cutter down there--that Chapin--'
'_Chameau!_ roared Rocjean. 'He and his kind are doing for art what the
Jews did for prize-fighting--they ruin it. They make art the
laughing-stock of all refined and educated people. Art applied solely to
sculpture and painting is dead; it will not rise again in these our
times. But art, the fairy-fingered beautifier of all that surrounds our
homes and daily walks, save paintings and statuary, never breathed so
fully, clearly, nobly as now, and her pathway amid the lowly and homely
things around us is shedding beauty wherever it goes. The rough-handed
artisan who, slowly dreaming of the beautiful, at last turns out a stone
that will beautify and adorn a room, instead of rendering it hideous,
has done for this practical generation what he of an earlier theoretical
age did for his cotemporaries when he carved the imperial Venus of
Milos. Enough; _this_ is the sermon _not_ preached from stones.'
A BALL AT THE COSTA PALACE
One sunlight morning in February, while hard at work in his studio,
Caper was agreeably surprised by the entrance of an elderly uncle of
his, Mr. Bill Browne, of St. Louis, a gentleman of the rosy, stout,
hearty school of old bachelors, who, having made a large fortune by
keeping a Western country store, prudently retired from business, and
finding it dull work doing nothing, wisely determined to enjoy himself
with a tour over the Continent, 'or any other place he might conclude to
visit.'
'I say, Jim, did you expect to see me here?' was his first greeting.
'Why, Uncle Bill! Well, you are the last man I ever thought would turn
up. They didn't write me a word of your coming over,' answered Caper.
'Mistake; they wrote you all about it; and if you'll drop round at the
post-office, you'll find letters there telling you the particulars. Fact
is, I am ahead of the mail. Coming over in the steamer, met a man named
Orville; told me he knew you, that he was coming straight through to
Rome, and offered to pilot me. So I gave up Paris and all that, and came
smack through, eighteen days from New York. But I'm dry. Got a match?
Here, try one of these cigars.'
Caper took a cigar from his uncle's case, lit it, and then, calling the
man who swept out the studios, sent him to the neighboring wine-shop for
a bottle of wine.
Public-domain text, read in full here on John Shaqi.
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