The Continental Monthly, Vol. 2, No. 1, July, 1862Various
History
The Continental Monthly, Vol. 2, No. 1, July, 1862
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
It would be difficult to convince the American people that slavery is
not 'the skeleton in their closet.' Any one who has encountered for
years the pro-slavery spirit; who has watched it through its
unscrupulous deviations from rectitude, morally, socially, and
politically, will have been dull of comprehension not to have
appreciated its atrocious disposition. Its great instrumentality in the
management of Southern masses, consists not only of a disregard, but of
a positive interdict of the principles of civil liberty, in all matters
wherein the prejudicial effects of slavery might directly, or by
implication, be disclosed. It is true, people are permitted to adulate
slavery--so they are allowed to adulate kings, where kings reign. No one
in recent years has been allowed the open expression of opinion or
argument as to the bad effect of a pro-slavery policy on the great
majority of Southern white population. This would bring the offender
within the Southern definition of an 'incendiary,' and the offense would
be heinous. The pro-slavery spirit has always demanded sycophancy where
its strength was great enough to enforce it, and has ever been ready to
invoke the law of force where its theories were contradicted. Even the
fundamental law of the South, contained in Southern State Constitutions
in favor of the 'freedom of speech, and freedom of the press,' is mere
rhetorical flourish, where slavery is concerned. It means that you must
adulate slavery if you speak of it; and woe to the man that gives this
fundamental law any broader interpretation. In its amiable moods, the
pro-slavery spirit is often made to appear the gentleman. In its angry,
jealous moods, it is both a ruffian and an assassin. Mr. Sumner, of the
Senate, once sat for its picture--twice in his turn he drew it--each
portrait was a faithful resemblance.
Public-domain text, read in full here on John Shaqi.
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