The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Up among the Granite mountains,
By the Bay State strand,
Hark! the paean cry is sounding
Through all Yankee land.
'Wave the stars and stripes high o'er us,
Let every freeman sing,
In a loud and joyful chorus:
Brave young Corn is King!
Join, join, for God and freedom! Sing, Northmen, sing:
Old King Cotton's dead and buried: brave young Corn is King.'
Southward rolls the cry of gladness,
On past Washington;
Where the bond-slave stoops no longer,
But stands up, a Man!
O'er battle-fields of 'Ole Virginny,'
Floats the black man's song:
'Brudders, God is takin' vengeance
For de darky's wrong!
Shout, shout, for God and Freedom! Sing, darkies, sing!
Ole Massa Cotton's dead foreber: Young Massa Corn am King!'
Through the Mississippi valley,
Down the river's tide,
Hosts of patriots rush to rally
On their Country's side;
And across the green savannahs
Of the Southern clime,
Armies, under Union banners,
To this song keep time:
'March, march, for God and Freedom! Sing, soldiers, sing!
Pallid Cotton's dead and buried: Yellow Corn is King!'
Let the tidings swell o'er ocean
To another shore,
Till proud England pales and trembles
Where she scoffed before!
Ne'er again shall serpent-friendship
Rise to hiss and sting!
Cotton leagues no more with _Traitors_:
Honest Corn is King!
_Jubilate_! God and Freedom! Sing, Americans, sing
Tyrant Cotton's dead forever! Honest Corn is King!
LITERARY NOTICES.
AMONG THE PINES. BY EDMUND KIRKE. New-York: J. R. Gilmore,
532 Broadway. 1862.
Perhaps it is not altogether in rule to say much of a work which has
appeared in our pages. But we may at least call attention to what others
have said. And good authority--plenty of it, such authority as should
make a reputation for any book--has declared _The Pines_ to be in truth
a work of the highest merit and of a new order. It is a perfectly
truthful record of scenes and characters drawn from personal experience
in the South; combining the accuracy of Olmstead's works with the
thrilling interest of _Uncle Tom_. It should be fairly stated--as the
author desires it should be--that every thing did not occur precisely in
the order in which it is here narrated. But all is _true_--every page
speaks for itself in this particular. No stronger piece of local
coloring ever issued from the American press. We seem, in reading it, to
live in the South--to know the people who come before us. All of them
are, indeed, life-portraits. In one or two instances, the very names of
the originals remain unchanged.
Public-domain text, read in full here on John Shaqi.
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