The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National PolicyVarious
History
The Continental Monthly, Vol. 2, No. 2, August, 1862: Devoted to Literature and National Policy
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
Some years ago, the late Sultan, on the occasion of the circumcision of
one or two of his sons, gave a series of entertainments to his own
functionaries, and one to the foreign diplomatic corps, in one of the
valleys on the Asiatic side of the Bosphorus, called Hyder Pacha. With
the view of properly amusing the foreign legations, _a la Franka_, the
Sultan got up an extemporary theatre, adjoining the splendid pavilion,
in which his guests were assembled. The play selected as best calculated
for the purpose, was the _Milliner's Shop_, the like of which the Sultan
had noticed while passing through the great street of Pera--the windows
filled with bonnets, dress-caps, crinolines, etc., and very handsome
dolls, some quite as 'large as life,' _decolle_, and thanks to the
miniature crinolines, often showing very well-made chaussures and
ankles. The little stage was not much raised above the green sward of
the valley--a ditch had been dug out for the use of the orchestra, and
the counter of the milliner separated this from the audience. As the
whole affair had been got up rather hurriedly, the _entrepreneur_ had
not been able to procure a sufficient number of blocks on which to
exhibit the bonnets and caps, and as men were readily obtained for the
purpose, holes were cut in the counter, through which these thrust their
heads, and on them rested the articles in question. A man also figured
against the wall, on whom to hang up a ready-made dress or two, while
his head also served as a block for a first-rate bonnet with flowers and
feathers to suit the occasion. Now the weather had threatened a change,
and much to the regret of the Sultan and his Court, who had it at heart
to give such an entertainment to the diplomatic corps of Europe as would
tell largely in the papers, and prove the great progress made by him in
civilization, just as the play commenced, the rain began to fall in
torrents. In their pavilion, the foreign ambassadors, etc., were
somewhat secure, but not so the _dramatis personae_. The ditch soon
filled with water, and the orchestra had to hold their instruments above
their heads, while the water rose to their waists, and finally drove
them to open 'secession.' But the man-blocks which supported the
millinery were still more to be pitied. Their heads were fast in the
holes made, and partially closed again in the centre, so that they were
unable to escape from the rain which deluged the whole affair. The water
fell in torrents over the gay bonnets, caps, crinolines, etc., until
they became a mass of tawdry, and the bare pates of those under them
came ludicrously into view. It required the assistance of a carpenter
and his aids to get the poor fellows free from their bondage, and enable
them to seek safety in flight. As to the man fastened against the wall,
he bore his torture, and the merriment which he occasioned among the
audience, for some time, but finally was compelled to put an end to his
Public-domain text, read in full here on John Shaqi.
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