The Continental Monthly, Vol. 2, No 3, September, 1862: Devoted to Literature and National Policy.Various
General
The Continental Monthly, Vol. 2, No 3, September, 1862: Devoted to Literature and National Policy.
Various
Literature, Modern -- 19th century -- Periodicals; United States -- Politics and government -- 19th century -- Periodicals
I saw General Jackson riding in an open carriage, in earnest
conversation with his successor, as I was on the way to the Capitol to
witness the inaugural oath. A few days after, I shook hands with him for
the last time, as he sat in a railroad-car, about to leave Washington
for the West. Crowds of all classes leaped up to offer such salutations,
all of whom he received with the same easy, courteous, decided manner he
had exhibited on other occasions.
SHAKSPEARE'S CARICATURE OF RICHARD III.
'The youth of England have been said to take their religion from Milton,
and their history from Shakspeare:' and as far as they draw the
character of the last royal Plantagenet from the bloody ogre which every
grand tragedian has delighted to personate, they set up invention on the
pedestal of fact, and prefer slander to truth. Even from the opening
soliloquy, Shakspeare traduces, misrepresents, vilifies the man he had
interested motives in making infamous; while at the death of Jack Cade,
a cutting address is made to the future monarch upon his deformity, just
TWO _years before his birth!_ There is no sufficient authority for his
having been
'Cheated of feature by dissembling nature,
Deformed, unfinished, sent before my time
Into this breathing world, scarce half-made up,
And that so lamely and unfashionable,
The dogs bark at me, as I halt by them.'
A Scotch commission addressed him with praise of the 'princely majesty
and royal authority sparkling in his face.' Rev. Dr. Shaw's discourse to
the Londoners, dwells upon the Protector's likeness to the noble Duke,
his father: his mother was a beauty, his brothers were handsome: a
monstrous contrast on Richard's part would have been alluded to by the
accurate Philip de Comines: the only remaining print of his person is at
least fair: the immensely heavy armor of the times may have bowed his
form a little, and no doubt he was pale, and a little higher shouldered
on the right than the left side: but, if Anne always loved him, as is
now proved, and the princess Elizabeth sought his affection after the
Queen's decease, he could not have been the hideous dwarf at which dogs
howl. Nay, so far from there being an atom of truth in that famous
wooing scene which provokes from Richard the sarcasm:
'Was ever woman in this humor wooed?
Was ever woman in this humor won?'
Public-domain text, read in full here on John Shaqi.
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